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Collections

Attributed to Govardhan
A Discourse Between Muslim Theologianscirca 1630

Not on view
Mughal miniature painting of four bearded men in turbans and robes seated on a raised platform in a landscape, with a gold floral border
Mughal-style botanical painting on warm golden-yellow ground, depicting pink tulips and yellow five-petaled flowers on slender stems with teal-green leaves, rendered in fine opaque watercolor with delicate gold outlines.
Opaque watercolor on paper depicting a central flowering plant with purple lily-like blooms and green foliage on a warm ochre ground, surrounded by scattered botanical sprigs with small red berries and pink flowers, rendered in a Mughal-influenced decorative style with fine, detailed brushwork.
Opaque watercolor on paper depicting a flowering plant with vivid yellow blooms, one with a blue center, rising from lobed green leaves on slender stems against a warm tan ground, with smaller floral sprigs at the margins.
Opaque watercolor on paper depicting two orange-red flowers with gold outlines on a single stem rising from broad green leaves, surrounded by scattered smaller flowering plants on a warm ochre ground, in a Mughal-style botanical composition.
Mughal manuscript page border in opaque watercolor on tan ground, depicting naturalistically rendered flowering plants including purple iris, white daisy, yellow lilies, and pale blue blooms with green stems and leaves; gold-ruled inner border frames a partial landscape scene with flowering meadow at upper left.
Artist or Maker
Attributed to Govardhan
India, active 1596-circa 1645
Title
A Discourse Between Muslim Theologians
Place Made
India, Mughal Empire
Date Made
circa 1630
Medium
Opaque watercolor, gold, silver, and ink on paper
Dimensions
Image: 8 3/16 x 5 1/4 in. (20.8 x 13.34 cm); Sheet: 13 1/8 x 8 3/16 in. (33.34 x 20.8 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, purchased with funds provided by Mr. and Mrs. Allan C. Balch
Accession Number
M.85.2.3
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Orthodox Islamic theologians (mullahs), such as those represented here, are honored for their profound knowledge of the Qur'an and their interpretation of Islamic law based on the teachings of Muhammad. Revered for their erudition and integrity, mullahs were extremely influential at the Mughal court and served as advisors to the emperor and as ambassadors to foreign courts.

Seated upon a platform in a meadow, a bearded mullah explicates a passage from a book, in which the first line has the name of Emperor Shah Jahan (r. 1628-1658). (Translation by B. N. Goswamy.) Another mullah at the far right strokes his beard as he rationally considers what he hears. The mullah to the speaker’s right stares out into the distance while fingering his rosary, as though transported by the speaker’s words. The mullah at the far left stares intently at the speaker.

The painting is attributed to the Mughal artist Govardhan (active 1596-circa 1645). In his sophisticated works, a central theme is introduced and individual responses to it are explored. The figures are subtly shaded in the European manner and often set in front of Dutch or Flemish-inspired landscapes employing aerial perspective, in which distant objects are portrayed as if viewed through an atmospheric haze. The three sheep herders in the distant center reappear in another painting attributed to Govardhan in the Cleveland Museum of Art (1971.79).

The painting was enlarged and later remounted into a Shah Jahan-period floral border.

Selected Bibliography
  • Pal, Pratapaditya. Indian Painting, vol.1. Los Angeles: Los Angeles County Museum of Art, 1993.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Heeramaneck, Alice N. Masterpieces of Indian Painting : From the Former Collections of Nasli M. Heeramaneck. New York: A.N. Heeramaneck, 1984.
  • Pal, Pratapaditya, Janice Leoshko, Joseph M. Dye, III, Stephen Markel. Romance of the Taj Mahal. Los Angeles: Los Angeles County Museum of Art, 1989.