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Collections

Unknown
Fertility Goddess1st century CE

Not on view
Small terracotta ceramic figurine of a human bust with wide headdress, stubby arms, and simplified facial features, with a cracked and worn surface
Terracotta figurine fragment, rear view of an upper torso with a disc-shaped headdress, reddish-brown clay with worn surface and visible crack along the crown.

Unknown, Fertility Goddess, 1st century CE, Los Angeles County Museum of Art, Gift of Neil Kreitman, photo @ Museum Associates/LACMA

Artist or Maker
Unknown
Title
Fertility Goddess
Place Made
Pakistan, Sirkap or Charsadda, Gandhara region
Date Made
1st century CE
Medium
Earthenware
Dimensions
2 7/8 x 2 1/4 x 1 1/8 in. (7.3 x 5.72 x 2.86 cm)
Credit Line
Gift of Neil Kreitman
Accession Number
M.89.130.4
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The region of Gandhara in present-day northwestern Pakistan and northeastern Afghanistan was an important nexus of the ancient Silk Routes and the transmission of Buddhism and Buddhist art during the Kushan Dynasty (1st–3rd century). Sirkap is an UNESCO World Heritage Site near the city of Taxila that was excavated by Sir John Marshall (1876–1958) in 1912–1930 and Sir Mortimer Wheeler (1890–1976) in 1944–45. Near Peshawar, Charsadda, formerly Pushkalavati (Lotus City), was the capital of Gandhara (6th century BCE–2nd century CE).

Believed to have been stylistically modelled on Greco-Roman marble sculptures of the goddess Aphrodite, earthenware fertility goddesses were discovered at Buddhist water tanks (kunds) where they were venerated in fertility and childbirth rituals by the Buddhist laity. They are sensitively fashioned in the Hellenistic style with bare breasts, slightly protruding abdomens, full hips, heavy thighs, and legs joined together. They each have a thick ponytail hanging down their back to the buttocks. Some wear a filet or wreath, which was made with a plain surface decorated with carved leaves applied separately. The figures were made in a double mode and are at least partially solid.

LACMA has five fertility goddesses from Sirkap or Charsadda (M.89.130.1–.5). Two figures are near complete (.1 and .2). The remaining three figures survive as busts only (.3–.5). One figure wears a plain filet (.4).

Comparable Fertility Goddesses are in the Cleveland Museum of Art (1977.58); and published in Amy G. Poster, From Indian Earth: 4,000 Years of Terracotta Art (Brooklyn: Brooklyn Museum, 1986), pp. 15, 117, pl. 5, no. 51