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Collections

Unknown
Oil Lamp (samai) with a Rooster Finial19th century

Not on view
Tall bronze oil lamp stand with a segmented shaft, multi-spout dish, and peacock finial with an open-work tail, dark olive-brown patina
Bronze oil lamp with a tall segmented shaft rising from a wide circular base, topped with a petal-shaped oil dish and a cast peacock finial with openwork tail feathers.
Bronze oil lamp with a tall segmented shaft rising from a wide circular base, supporting a shallow multi-lobed oil dish, topped with a cast bird figure flanked by a pierced decorative finial with flame-like projections.
Artist or Maker
Unknown
Title
Oil Lamp (samai) with a Rooster Finial
Place Made
India, Deccan
Date Made
19th century
Medium
Copper alloy
Dimensions
47 x 14 in. (119.38 x 35.56 cm)
Credit Line
Gift of Mr. and Mrs. Michael Phillips
Accession Number
M.84.227.8
Classification
Furnishings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This columnar lamp has a shaft resembling a spindle column of lathe-turned wood with compressed ball and ring moldings. It tapers in diameter from the base in the form of a saucer-shaped drip tray to the fuel receptacle shaped like a shallow footed tray with six spouts that also serve as wick holders. The rooster finial is identified anatomically by the presence of the fleshy growth on top of his head called a comb or cockscomb, and by the long curved tail feathers cascading downward, called sickle feathers. It has small wings with chased feathers. The neck and chest have a chased scallop-shell pattern of feathers and four necklaces. The legs are abstractly rendered and have miniscule clawed toes.

Oil lamps from South and Southeast Asia and the Himalayas have been fashioned in a wide variety of conceptual forms, including anthropomorphic, zoomorphic, phytomorphic, abstract, and combined creations. Burning lamps have long been used in places of worship and for domestic rituals by adherents of all the major religions throughout the diverse regions. They help demarcate and purify a sacred space, and can symbolize a practitioner’s enlightenment. See also AC1993.152.1 and AC1995.152.1.

Selected Bibliography
  • El Universo de la India: Obras Maestras del Museo de Arte del Condado de Los Angeles. Santiago: Centro Cultural Palacio La Moneda, 2012.