Frederick Hammersley

Almost1973

Remembering the Joyful Spirit of Julio Le Parc (1928–2026)

“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

Transforming a Masterpiece of Impressionism into Something You Can Hold in Your Hands

Exhibitions to See in 2026

Diffuse Control by Beeple Iteration: Future Past

An Appreciation: Frank O. Gehry (1929–2025)

50 Works 50 Weeks: John Deare’s “Judgment of Jupiter”

50 Works 50 Weeks: Katsushika Hokusai’s “The Great Wave off Kanagawa”

Up in “Smoke”: Installing Tony Smith’s Monumental Sculpture at the David Geffen Galleries

Jeff Koons’s “Split-Rocker” to Anchor Public Art Program at LACMA’s David Geffen Galleries

A Work That Doesn’t Arrive—It’s Made

A Calligraphy and Painting Performance for Line, Form, Qi

Fall into These Autumnal Collection Highlights

Culture in a Cup

Baca: A Cinematic Portrait of Judy Baca and The Great Wall of Los Angeles

“I use the computer to explore what it means to be a human”: Tyler Hobbs’ Connected for the Moment 1 and Discrete Affection #3

LACMA’s Teaching Artist Training Series (TATS)

New Acquisition: Ladi Kwali’s Water Jar

New Acquisition: Suzanne Jackson’s “Nest”

Remembering Richard Serra

Glenn Kaino Reminds Us History Has No Finish Line

Step Inside the Damascus Room in Dining with the Sultan