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Collections

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Chandra, The Moon God, Folio from a Shakunavali (Book of Dreams and Omens)circa 1710-1720

Not on view
Indian painting on paper, circular medallion showing figures riding a red chariot pulled by a leaping antelope, with Devanagari inscription above on a yellow band
Indian miniature painting on a circular white ground with blue border: three figures ride in a red and gold chariot with a fringed canopy, pulled by a leaping black buck. A crowned figure in orange robes is seated centrally, flanked by two attendants in yellow and green garments. Red reins extend to the bounding antelope at right.
Artist or Maker
Unknown
Title
Chandra, The Moon God, Folio from a Shakunavali (Book of Dreams and Omens)
Place Made
India, Rajasthan, Mewar, Udaipur
Date Made
circa 1710-1720
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image: 7 1/2 x 7 in. (19.05 x 17.78 cm); Sheet: 10 1/8 x 8 1/2 in. (25.72 x 21.59 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.83.219.2
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Chandra, the Moon God, is among the most ancient of Indian deities. He is the celestial regent of Monday (somvar) and a guardian of the direction (dikpala) of the North. In the Vedic and epic literature, the Moon God is primarily referred to by the name Soma, while in the Puranas the name Chandra is given prominence. The full moon is believed to be beneficial, but the new moon is considered maleficent.

This folio is from a Shakunavali (Book of Dreams and Omens). It was presumably based on the Svapna-Darshana (Dream Visions) or Svapna-Phala (Dream Fruits), which are texts dealing with the interpretation of dreams and omens by astrologers for divination purposes.

The Sanskrit verse in the header reads, “One should view the form of the moon, which is always beautiful and conductive to the daily welfare, wives, and children, and increase of grain, wealth, prestige, and royal patronage.”

In front of a full moon that functions as his nimbus, the crowned Chandra rides in a chariot drawn by his iconographic attribute of an antelope. He is accompanied by a charioteer and two attendants bearing honorific fly whisks made from the white tail-hairs of a yak (cauri or chowri).

Additional folios from this dispersed series are in the Bharat Kala Bhavan, Varanasi; National Museum of Asian Art, Washington (S2018.1.26); Rijksmuseum, Amsterdam (RP-T-1993-489); San Diego Museum of Art (1990.621); Chirimar Collection; and Kanoria Collection, Patna.

See also M.69.13.6, M.83.1.9, and M.79.191.8.

Selected Bibliography
  • Meller, Susan. Labels of Empire: Textile Trademarks: Windows into India in the Time of the Raj. Novato, CA: Goff Books, 2023.