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Collections

Unknown
The Sun God Suryacirca 1075

Not on view
Small bronze sculpture of a four-armed standing figure within an ornate arched frame on a tiered rectangular base, with reddish-brown patina and traces of green and gold
Artist or Maker
Unknown
Title
The Sun God Surya
Place Made
Bangladesh or India, West Bengal
Date Made
circa 1075
Medium
Copper alloy inlaid with gold and silver
Dimensions
7 3/4 x 3 x 2 5/8 in. (19.69 x 7.62 x 6.67 cm)
Credit Line
Indian Art Special Purpose Fund
Accession Number
M.81.99
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Hindu Sun God Surya is the most important and oldest of the Indian planetary deities (nava graha). The earliest known anthropomorphic representations of Surya date from the late 3rd- 1st century B.C. The Sun God is depicted therein as riding in a chariot drawn by four horses as he makes his daily circuit across the heavens. Surya and his divine attendants are occasionally portrayed as archers, symbolizing their dispersal of darkness. The Sun God evolved into a composite nature with various strata of Vedic, Hellenistic, Iranian, and Brahmanical influences. Surya's popularity increased in the Gupta period during the 4th-6th century and the iconography used to portray him grew more complex. He continued to be represented throughout the medieval period and today remains one of the major gods of popular Hinduism.

In this representation, Surya is enthroned in front of a flaming aureola (prabhavali). He wears a tall square crown (kirita mukuta), standard jewelry, a long garland (vana mala), a dagger worn on his left side, and knee-length boots. He stands on a lotus base in a stiff, frontal pose (samapada sthanaka). He has two arms and holds a blossoming lotus in each of his shoulder-level hands. The image pedestal has a double function, as it also serves as his solar chariot drawn by seven horses. His charioteer Aruna is the elder brother of Garuda, the half-avian, half-human mount of Vishnu, and genuflects like his sibling often does (see M.75.4.5 and M.82.227).

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.