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Collections

Unknown
Thunderbolt (Vajra; Tibetan: Dorje)18th century

On view:
Resnick Pavilion, floor 1
Gilded bronze double-ended ritual implement with symmetrical prong clusters, beaded knobs, and small inset turquoise stones, viewed from above against a white background
Gilt metal vajra with symmetrical prongs at each end, a central sphere flanked by beaded bands and lotus petal collars, set with small red and coral stones throughout
Artist or Maker
Unknown
Title
Thunderbolt (Vajra; Tibetan: Dorje)
Place Made
Eastern Tibet
Date Made
18th century
Medium
Gilt copper alloy inlaid with gemstones
Dimensions
6 x 1 3/4 in. (15.24 x 4.45 cm)
Credit Line
Indian Art Special Purpose Fund
Accession Number
M.81.4
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The thunderbolt (Adamantine Scepter; Sansksrit: vajra; Tibetan: dorje) is the ritual implement par excellence of all three major forms of Buddhism. It is especially renowned as the primary symbol of Vajrayana Buddhism, in which it symbolizes the indestructibility and invincibility of the Tantric path. When it is paired with the ritual bell (Sanskrit: ghanta; Tibetan: drilbu; see M.2001.158.2), together they symbolize the non-duality of enlightenment and the coincident perfection of compassion and wisdom. The thunderbolt represents compassion/male/skillful means while the bell signifies wisdom/female/nothingness. The number of prongs a thunderbolt has is symbolic. Five prongs (four outer and central) denote the five Jina Buddhas and the transcendental insights they personify. Nine prongs also portray the five Jina Buddhas, with the addition of four female Buddha-prajnas (Wisdom of [all] Buddhas) who are represented by the four additional intermediary prongs. The thunderbolt is a primary attribute of the Bodhisattva Vajrapani (Vajra Holder). It is also prominent in Hinduism, in which it is often used as a weapon, especially by Indra, the god of thunder and lightning.

This thunderbolt has five prongs at each end. The four outer prongs each issue out of the mouth of a stylized mythical aquatic animal (makara). The ellipsoid-shaped grip in the center is unadorned. Matching bands of eight lotus petals form the junction to the prongs.

See also M.91.232.5, AC1994.116.5, AC1994.116.6, AC1994.176.1, and M.2001.158.1.


Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.