LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Unknown
Radha and Krishna Dressed in Each Other’s Clothescirca 1800-1825

Not on view
Indian miniature painting depicting two standing figures facing each other within an oval cartouche: one with blue skin in red-orange garments and jeweled crown with feather, one in golden-yellow dress with tiara, set beneath a crescent moon amid flowering trees
Artist or Maker
Unknown
Title
Radha and Krishna Dressed in Each Other’s Clothes
Place Made
India, Himachal Pradesh, Kangra
Date Made
circa 1800-1825
Period
early 19th century
Medium
Opaque watercolor and gold on paper
Dimensions
Sheet: 8 x 5 1/2 in. (20.32 x 13.97 cm); Image: 6 1/4 x 3 3/4 in. (15.88 x 9.53 cm)
Credit Line
Gift of Corinne and Don Whitaker
Accession Number
M.80.232.4
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

South Asia has an extensive literary tradition based on encounters between lovers. The female lovers or heroines (nayikas) and male lovers or heroes (nayakas) are classified into two general categories—lovers in union and lovers in separation—each of which has many subcategories. The nayika-nayaka tradition also integrated the later romantic legends of the longing between the Hindu goddess Radha and god Krishna and their divine love-play (lila).

Here, in an iconic rather than narrative representation, Radha and the blue-skinned Krishna have exchanged their garb and accoutrements. They are tenderly holding hands and gazing into each other’s eyes while walking in a lush forest setting that has been interpreted as the spring season in Braj and the culmination of their illicit affair. The silver crescent moon in the star-filled sky indicates that the white background behind the lovers is that of a moonlit night rather than a bright spring day. Accordingly, this charming night scene may evoke Krishna’s last night of dalliance in Braj before leaving his adolescence to journey to Mathura and begin his adulthood. See also M.71.1.11.

Selected Bibliography
  • Blondet, José Luis. Six Scripts for Not I: Throwing Voices (1500 BCE-2020 CE). Los Angeles: Los Angeles County Museum of Art, 2020.