LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Basawan
The Vizier Pleads for the Life of the Robber’s Son (recto), Calligraphy (verso), Folio from a Manuscript of Sa'di's Gulistan (Rose Garden)colophon dated 1596

Not on view
Mughal manuscript painting depicting a royal court scene; an enthroned figure in an orange robe sits beneath an ornate gilded pavilion while dozens of courtiers, attendants, and figures in struggle crowd the space below
Artist or Maker
Basawan
India, active circa 1565-1598
Title
The Vizier Pleads for the Life of the Robber’s Son (recto), Calligraphy (verso), Folio from a Manuscript of Sa'di's Gulistan (Rose Garden)
Place Made
Pakistan, Lahore, Mughal Empire
Date Made
colophon dated 1596
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image: 10 3/8 x 5 3/4 in. (26.35 x 14.61 cm); Sheet: 11 1/4 x 6 1/16 in. (28.58 x 15.4 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.79.9.12
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Gulistan (Rose Garden) is a compilation of moralistic tales. Considered one of the gems of Persian literature, it was written in 1258 in Shiraz by the celebrated Persian poet Sa'di (1210-1291). Illustrated copies of the text were frequently produced for the Persian and Mughal courts. This folio is from a now-dispersed manuscript of the Gulistan dated in its colophon to 1596. Eight additional folios are now in the Cincinnati Art Museum (1950.284–.288, 1950.290, 1951.299–.300).

This folio is ascribed in a marginal inscription to the great Mughal painter Basawan (active circa 1565-1598). It depicts an episode from Chapter 1, Tale 4 of the text, in which a young son of a member of a gang of captured robbers was brought to court for sentencing. The kindly vizier pleaded with the monarch to spare the boy’s life on the promise that he would raise and educate him to be an honest man. The cynical ruler reluctantly agreed, and the vizier made every effort to bring up the boy properly. But two years later the boy connived with local robbers to kill the vizier and abscond with his benefactor’s wealth. The moral of the story, in the words of the king, is, “How can a man fabricate a good sword of bad iron?” Here, the pleading vizier and the seemingly repentant youth stand on an exquisite carpet before the enthroned king in a pavilion. Four bound robbers under guard are in the foreground. Various courtiers participating in the deliberations are grouped along the sides of the painting.

Selected Bibliography
  • Pal, Pratapaditya, Thomas W. Lentz, Sheila R. Canby, Edwin Binney, 3rd, Walter B. Denny, and Stephen Markel. "Arts from Islamic Cultures: Los Angeles County Museum of Art." Arts of Asia 17, no. 6 (November/December 1987): 73-130.