Sir Eduardo Luigi Paolozzi

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“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

All things can be true: Tavares Strachan and Diana Nawi in Conversation

Exhibitions to See in 2026

50 Works 50 Weeks: John Deare’s “Judgment of Jupiter”

Artists Represent Themselves: Frida Orupabo on “Untitled (sources unknown except Shadman Shahid [bottom left])”

Exhibitions Coming Soon for PST ART: Art & Science Collide

A Portrait of Magdalena Suarez Frimkess, Playful Pioneer in Ceramics

We Want You to See These World War I Propaganda Posters

An Epic Food Fight Told through the Iranian Tradition of Naqqali

Community Care Through Museum Programs for Older Adults

The Graphic Legacy of José Guadalupe Posada in Two LACMA Exhibitions

“Art is not bound by thought, or religion, or region”: Voices from Women Defining Women

Remembrance of Things Future: A Conversation with 0xDEAFBEEF, Artist Experimenting on the Blockchain

New Acquisition: Theaster Gates’s “Vessel #12”

Remembrance of Things Future: Conversations with Jen Stark and Sarah Zucker, Artists Experimenting on the Blockchain

Conserving Der Sturm

In Memoriam: Billy Al Bengston (1934–2022)

Behind the Scenes of Lee Alexander McQueen: Mind, Mythos, Muse

Inspired by Tiepolo’s Apollo and Phaëthon: Jamie McShane Reads the Poetry of Gabriele Tinti

Archive of the World: A Book About Spanish American Art

In Memoriam: Claes Oldenburg (1929–2022)

Ukraine and Modern Art

Join a Talk On Sci-Fi, Art, and Black Californians at the Opening of American Artist: Shaper of God

Screen Credit: Artist Sabrina Gschwandtner on Filmmaking, Quilting, and the Forgotten Labor of Women