LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Unknown
Buddha Shakyamuni or The Jina Buddha Amitabha8th-9th century

Not on view
Small dark metal sculpture of a seated meditating figure in lotus position, with a flame-like arched halo, on a base with an inscription in a non-Latin script

Unknown, A Meditating Buddha, 9th century, Los Angeles County Museum of Art, From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Buddha Shakyamuni or The Jina Buddha Amitabha
Place Made
Nepal
Date Made
8th-9th century
Medium
Unalloyed copper with traces of gilding
Dimensions
4 9/16 x 3 3/8 x 1 13/16 in. (11.58 x 8.57 x 4.6 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.16
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This introspective Buddha represents the historical Buddha Shakyamuni (traditionally dated to 563–483 BCE) or Amitabha, the Jina Buddha of Infinite Light. Amitabha is the transcendental Buddha of discriminating wisdom. He is also widely worshipped throughout Asia as the Buddha presiding over the Sukhavati (Pure Land of Bliss) Paradise in the West, where Buddhists can be reborn endlessly while they wait to attain enlightenment. There are Five Jina (Victor) Buddhas: Amitabha, Vairochana (Intensely Luminescent One), Akshobhya (Unshakeable One), Ratnasambhava (Jewel Born), and Amoghasiddhi (Unfailing Success). These five Buddhas, who are emanations of the Adi Buddha (Primordial Enlightened One), embody the state and qualities of Buddhahood and the essence of the Buddhist Dharma. Each Buddha has a specific mudra, insight, symbol, color, vehicle, and rules a cardinal direction or the zenith.

Both Shakyamuni and Amitabha hold their hands in their lap in the gesture of meditation (dhyana mudra) and both sit with their feet being crossed in the meditation posture (padma asana) on an inscribed plain base. They share the standard iconographic conventions of a Buddha: a cranial protuberance (ushnisha) emblematic of his omniscience, snail-curl hair and elongated earlobes symbolizing his renunciation of his princely life and the material world, and a monk’s robe (sanghati) worn over both shoulders. His forehead is now eroded, so it is unclear if there was originally a circular sacred marking (urna). The Buddha also has three rings (or folds) on his neck (trivali) that are among the beauty marks (lakshana) of a great being and symbolize the Three Trainings in Buddhism: Conduct (Shila), Concentration (Samadhi), and Wisdom (Prajña). He has a flaming nimbus (prabhamandala) symbolic of his divinity and advanced knowledge.

The devanagari inscription around the base is the Buddhist creed: The Buddha has explained the cause of all things that arise from a cause. He, the great monk, has also explained their cessation.



Selected Bibliography
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Reedy, Chandra L. Himalayan Bronzes: Technology, Style and Choices. Newark: University of Delaware Press, 1997.
  • Pal, Pratapaditya. Art of Nepal. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1985.