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Collections

Unknown
Krishna, The Divine Flutist15th century

Not on view
Small bronze relief plaque of a standing figure playing a flute, framed by an arching tree with branching offshoots, with olive-green and brown patina

Unknown, Krishna, The Divine Flutist, 15th century, Los Angeles County Museum of Art, From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Krishna, The Divine Flutist
Place Made
India, Kerala
Date Made
15th century
Medium
Copper alloy
Dimensions
4 3/8 x 3 3/8 x 3/4 in. (11.11 x 8.57 x 1.9 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.75.4.13
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Krishna, the 8th incarnation of Vishnu, is widely beloved as the Hindu god of devotion. The evolved religious conception of Krishna incorporates several distinct strata and a mixture of historical and mythological personalities, including his probable mortal life as a minor clan chieftain in the Mathura region of northern India, whose ethnic heritage is evidenced and retained by Krishna’s blue skin; his youthful exploits as a pastoral demi-god that engendered the bhakti (devotion) movement; his pivotal advisory role as Arjuna’s cunning charioteer in the epic Mahabharata ([War of the] Great Bharatas); and his subsequent adult career as an ill-fated monarch who brought about the destruction of his own people.

Krishna embodies Vishnu’s protective nature. He is a savior who is worshipped variously as a child-god, divine lover, or regal monarch. He may be depicted as a cowherd, with a flute or staff, or wearing princely dress and a crown. Because Krishna spent his early life as a cowherd, themes of the innocence and playfulness of his childhood abound in legends and images of the god.

In his iconographic form of Venugopala (the Flute-Playing Cowherd), Krishna is renowned for playing his flute to call Radha and his female devotees to dally with him in spiritual bliss. In this context, Krishna's flute playing is used as a metaphor for the attraction of the human soul to divinity. Its sound disrupts all social strictures and allows the worshipper to aspire freely towards enlightenment and religious rapture. Here, the divine flutist stands in his standard pose with his feet crossed at the ankle (pada-svastika) under a flaming aureola (prabhavali). See also M.87.278.7.

Selected Bibliography
  • Pal, Pratapaditya. Indian Sculpture, vol.2. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1988.
  • Dohanian, D.K. The Art of India. Rochester, NY: Memorial Art Gallery of the University of Rochester, University Publications, 1961.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.