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Collections

Unknown
Gaudi Ragini, First Wife of Malkos Raga, Folio from a Ragamala (Garland of Melodies)1605-1606 with later repainting

Not on view
Indian manuscript painting, woman in jeweled dress holding crossed staffs in a garden with a peacock, flanked by trees, with Devanagari text above

Unknown, Gaudi Ragini, First Wife of Malkos Raga, Folio from a Ragamala (Garland of Melodies), 1605-1606 with later repainting, Los Angeles County Museum of Art, From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Gaudi Ragini, First Wife of Malkos Raga, Folio from a Ragamala (Garland of Melodies)
Place Made
India, Rajasthan, Bikaner
Date Made
1605-1606 with later repainting
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Image: 6 1/4 x 4 1/2 in. (15.88 x 11.43 cm); Sheet: 8 1/2 x 6 1/4 in. (21.59 x 15.88 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.74.5.14
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The poetic Sanskrit inscription in the upper border reads, “Sprays of the heavenly (wishing-) tree in hand, adorned with a girdle of sweet-toned bells, and beauty enhanced by a splendid robe, she, whoever pleasure gives, is declared to be Gaudi.” (Translation from Klaus Ebeling, Ragamala Painting (1973), p. 120.) The undecipherable inscription in the right-hand border reads, “guchinananga 8.”

Gaudi (or Gauri) Ragini is the first wife of Malkos Raga in the predominant ragamala (garland of melodies) classification system generally known as the Rajasthani system. It is a soulful melody associated with the late afternoon and Winter (December-January). It expresses the lamentation of a heroine over her unfaithful lover. Here, the heroine carries flower wands while strolling in the woods by a stream. A peacock gazes at her with enrapturement. See also M.87.278.14 and M.90.141.2.

Previously attributed to Popular Mughal (Pal 1993), this painting and its series mate M.86.345.1 are now believed to be from Bikaner, Rajasthan. Other folios from this dispersed series are in the Metropolitan Museum of Art, New York (1981.460.3, 1981.464.1, 1987.417.2), and Museum für Asiatische Kunst, Berlin.

Selected Bibliography
  • Pal, Pratapaditya. Indian Painting, vol.1. Los Angeles: Los Angeles County Museum of Art, 1993.
  • Rosenfield, John. The Arts of India and Nepal: The Nasli and Alice Heeramaneck Collection. Boston: Museum of Fine Arts, Boston, 1966.
  • Sen, Geeti. Alchemy: Contemporary Indian Painting and Miniature Traditions. Ahmedabad, India: Mapin Publishing, 2024.