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Collections

Vessel100 BCE–600 CE

Not on view
Ceramic vessel with flared mouth and waist, painted with a stylized feline or supernatural face in russet red, slate gray, and cream
Ceramic flaring-rim bowl with polychrome slip-painted bands in terracotta, dark brown, gray, and cream, featuring repeated rectangular motifs near the rim, a row of stylized fish forms at mid-body, and geometric horizontal striping with dot and eye-like elements toward the base.
Ceramic vessel with flared rim and hourglass profile, painted in slip with polychrome geometric and figurative designs in rust red, gray-brown, and cream; a serpentine form and stylized zoomorphic head with fangs encircle the exterior.
Ceramic cup with flared rim and narrow base, painted with polychrome slip in red, white, cream, and gray, featuring horizontal bands of stylized figures and geometric motifs in Nasca tradition.

Unknown, Vessel, 100 BCE–600 CE, Los Angeles County Museum of Art, Gift of Nasli M. Heeramaneck, photo © Museum Associates/LACMA

Title
Vessel
Culture
Nasca
Place Made
Peru, South Coast
Date Made
100 BCE–600 CE
Medium
Polychrome Ceramic
Dimensions
2 1/2 x 3 1/2 in. ( 6.35 x 8.89 cm)
Credit Line
Gift of Nasli M. Heeramaneck
Accession Number
M.73.48.25
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

The Nasca Anthropomorphic Mythical Being (AMB) has a human body clothed in a striped tunic and breechcloth, with what looks like an eye on the navel, a motif that may represent a seed. It further wears a distinctive mouth mask, forehead ornament, and long cloak that forms a serpentine body ending in a trophy head with extended tongue. The serpentine body is covered in protrusions that may represent plants or crops, but in many other examples these are numerous trophy heads instead.

These iconographic elements associate the AMB with fertility, as well as sacrifice and head-hunting. Ubiquitous in Nasca ritual life, head-hunting is a frequent theme in their visual arts. Through such practices, these desert communities sought to appease the destructive forces of nature controlled by ancestors, deities, and cosmic forces. The gathering of corporeal fluids (such as human blood and semen) and body parts was likely a key aspect of ritual performances conducted in Nasca desert temples. Blood offerings were the most important gifts to the natural and supernatural beings who allowed humans to survive in such harsh conditions. Death by sacrifice enabled life to regenerate. Although shocking to us, these practices were essential components of negotiating life in the inhospitable environments of the Peruvian desert coast.

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