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Collections

Unknown
Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's Sermon to Indra2nd century

Not on view
Dark slate-gray stone relief sculpture fragment with two haloed figures in robes amid a dense crowd of carved animals and smaller figures, with traces of red pigment
Gray schist relief fragment with dense high-relief carving; haloed robed figures at upper left, traces of red pigment on drapery, surrounded by a multitude of smaller human and animal figures in dynamic poses across a rocky ground.
Fragment of a dark gray schist relief sculpture with traces of red pigment, depicting two nimbed figures in draped robes exchanging a garland, surrounded by additional figures, animals, and rocky terrain in high relief.
Stone relief carving with dense high-relief composition of animals and figures, including deer, monkeys, and birds amid rocky outcroppings and foliage, with traces of red pigment visible at upper left.
Artist or Maker
Unknown
Title
Gods and Animals in a Landscape, Fragment from a Scene of Buddha Shakyamuni's Sermon to Indra
Place Made
Pakistan, Peshawar Division (?), Gandhara region
Date Made
2nd century
Medium
Gray schist with traces of red devotional paint
Dimensions
15 1/2 x 17 1/4 x 3 in. (39.37 x 43.81 x 7.62 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.73.4.6
Classification
Sculpture
Collecting Area
South and Southeast Asian Art
Curatorial Notes

This fragment originally formed the upper right-hand portion of a relief depicting an event in the life of the Buddha when he was living in the Indrashala cave on the Vulture Peak (Gridhrakuta) Mountain near Rajagriha (modern Rajgir), Bihar. The Buddha presented many of his most important sermons while he resided at this site, including the Sakkapañha Sutta (Sakka’s Questions) from the Digha Nikaya (Collection of Long Discourses) when he was visited by the chief of the gods, Indra (also known as Shakra [Sanskrit] or Sakka [Pali]).

In the upper left corner, a procession of deities descends from the heavens to honor the Buddha’s sermon to Indra (see also 69.3). The Buddha would have originally been shown meditating in a cave beneath the heavenly entourage. Monkeys, peacocks, deer, and goats frolic about in celebration of the auspicious occasion. The exceptionally deeply cut relief creates strong shadows around the figures to imbue a sense of volume in a chiaroscuro carving technique. For a 10th-century central Indian Ramayana narrative frieze utilizing this technique, see M.89.159.1.

Selected Bibliography
  • Little, Stephen, Tushara Bindu Gude, Karina Romero Blanco, Silvia Seligson, Marco Antonio Karam. Las Huellas de Buda. Ciudad de México : Instituto Nacional de Antropología e Historia, 2018.
  • Little, Stephen, and Tushara Bindu Gude. Realms of the Dharma: Buddhist Art across Asia. Los Angeles: Los Angeles County Museum of Art, 2025.