- Title
- Tombstone (lower section)
- Date Made
- second half of 10th century
- Medium
- Alabaster, carved
- Dimensions
- 11 x 9 1/2 in. (28 x 24.2 cm)
- Accession Number
- M.73.5.246
- Collecting Area
- Art of the Middle East: Islamic
- Curatorial Notes
In Muslim cultures, the written word is used not only to communicate but to decorate. Because it is through writing that the Qur’an is transmitted, calligraphy became the most important form of Islamic art. This concern with beautiful writing extended beyond the page to objects of all sorts, both religious and secular. Over time, early Islamic calligraphers grew more experimental with scripts, incorporating ornament to invigorate older styles. This tombstone is inscribed in a script known as foliated kufic, in which half-palmettes, or leaflike designs, embellish the tops of letters. Such decorative scripts also are an important tool for dating objects, as is the case with the inscriptions here, which are comparable on stylistic grounds with those on other date-bearing tombstones as well as ceramics and architecture from tenth-century Iran, all decorated with foliated kufic. The inscription reads, “[In the name of God, the Compassionate, the Merciful. There is no God but] God. Muhammad is the Messenger of God, God bless him and grant him salvation. This is the grave of Mu‘awiyah ibn Salih, may God be merciful to him, grant him pardon, and whiten his face.”
2024
- Selected Bibliography
- Pal, Pratapaditya, ed. Islamic Art: The Nasli M. Heeramaneck Collection. Los Angeles: Museum Associates, 1973.
- Chevedden, Paul E. "A Sāmānid Tombstone from Nīshāpūr." Ars Orientalis 16(1986): 153-170.
- Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.