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Collections

Unknown
Ritual Dagger (Phurpa)16th century

Not on view
Carved and polychromed wooden ritual dagger with a fierce face at the top, double lobed shaft, and long tapering blade, with worn red, gold, and black paint

Unknown, Ritual Dagger (Phurpa), 16th century, Los Angeles County Museum of Art, Indian Art Special Purpose Fund, photo © Museum Associates/LACMA

Artist or Maker
Unknown
Title
Ritual Dagger (Phurpa)
Place Made
Western Tibet
Date Made
16th century
Medium
Wood with paint
Dimensions
19 x 4 in. (48.26 x 10.16 cm)
Credit Line
Indian Art Special Purpose Fund
Accession Number
M.78.45
Classification
Tools and Equipment
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Tibetan ritual dagger (phurpa or phurbu; Sanskrit: kila) is a three-sided peg-like implement that is used in diverse rites ranging from exorcism to meditation to blessings. Its primary association is with the Vajrayana meditational deity Dorje Phurpa, who is the personification of the phurpa. He is also known as Vajrakilaya (see M.70.1.6). Phurpas are distinguished by various terminals, often multi-headed deities or thunderbolts (vajra). They can be made of metal (especially meteoric iron), rock crystal, wood, bone, clay, and horn. Phurpas are typically made of three parts: a pommel, handle, and the triangular blade. The bladed end of the phurpa is used to destroy demonic powers through the killing of demons or exorcism. The pommel is used by practitioners to bless believers. See also M.79.243.3, M.82.27, M.85.286.1, and M.86.190.2.

This large wooden phurpa has an undulating serpent on each side of the triangular blade that issues out of the mouth of mythical aquatic animals (makaras). The grip of the handle is a five-pronged thunderbolt (vajra) with roll borders in the form of the knot of immutability. The pommel has three differently colored faces of Vajrakilaya, two of which are horrific.

See John C. Huntington, The Phur-Pa, Tibetan Ritual Daggers, Artibus Asiae. Supplementum 33 (1975); and Georgette Meredith, "The "Phurbu": The Use and Symbolism of the Tibetan Magic Dagger," History of Religions 6:3 (February 1967): 236-253.

Selected Bibliography
  • Pal, Pratapaditya. Art of Tibet. Los Angeles; Berkeley, CA: Los Angeles County Museum of Art; University of California Press, 1983.
  • Pal, Pratapaditya. Art of Tibet. Expanded edition. Los Angeles: Los Angeles County Museum of Art, 1990.