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Collections

Madhava
Toda Mongke and His Mongol Horde, Folio from a Chingiznama (History of Genghis Khan)1596

Not on view
Mughal manuscript painting of a mounted procession or hunting scene with dozens of richly dressed figures on horseback and on foot, framed by Persian script panels top and bottom
Artist or Maker
Madhava
India, active 1575-1610
Artist or Maker
Tulsi
India, active 1575-1596
Title
Toda Mongke and His Mongol Horde, Folio from a Chingiznama (History of Genghis Khan)
Place Made
Pakistan, Lahore, Mughal Empire
Date Made
1596
Medium
Opaque watercolor, gold, and ink on paper
Dimensions
Sheet: 15 x 10 in. (38.1 x 25.4 cm); Image: 12 3/8 x 8 in. (31.4 x 20.3 cm)
Credit Line
From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase
Accession Number
M.78.9.8
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

The Chingiznama (History of Genghis Khan) is a section of the Jami al-Tawarikh (History of the World) written by the eminent Persian historian Rashid al-Din (1247-1318). Its first section, called the Tarikh-i Ghazani, describes the history of the Mongol and Turkish tribes, concentrating on the Mongol Emperor Genghis (or Chingiz) Khan (r. 1206-1227) and his successors until the death of Ghazan Khan (r. 1295-1304). This manuscript of the Chingiznama was completed in 1596. It is now held mainly in the Gulistan Palace Library, Tehran.

This folio depicts Toda Mongke, the Khan of the Mongol Golden Horde (r. 1280-1287), and his army. He is the central figure on horseback wearing a distinctive feathered headdress also worn by some of his soldiers. The setting is a hilly landscape with palatial structures appearing in the distance. It has been suggested that this painting may show him on the way to his accession ceremony. Contemporary accounts record that he converted to Islam and lived an austere life, surrounding himself with theologians. His religious studies came at the expense of the affairs of state, and when he was reminded by his ministers of his duties as the Khan, he abdicated in favor of his nephew Tulabugha and dedicated himself to God. According to the marginal inscriptions, the illustration was designed and painted by Tulsi (active 1575-1596) and the portraits were done by Madhava (active 1575-circa 1610), who is also known as Madhu or Madhava Kalan (Madhava the Elder).

Selected Bibliography
  • Keene, Bryan C., editor. Toward a Global Middle Ages: Encountering the World Through Illuminated Manuscripts. Los Angeles: The J. Paul Getty Museum, 2019.