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Collections

Style of Muhammad Faqirullah Khan
Sohni Swims to Meet Her Lover Mahinwalcirca 1780

Not on view
Indian miniature painting with three narrative zones: buffaloes and a seated figure on a hilltop, two figures wading through a gray river, and a white-haired ascetic in a cave below
Artist or Maker
Style of Muhammad Faqirullah Khan
India, Uttar Pradesh, Lucknow or Farrukhabad, circa 1780
Title
Sohni Swims to Meet Her Lover Mahinwal
Place Made
India, Uttar Pradesh, Awadh, Lucknow or Farrukhabad
Date Made
circa 1780
Period
18th century
Medium
Opaque watercolor and gold on paper
Dimensions
Sheet: 11 1/8 x 7 7/8 in. (28.26 x 20.0 cm); Image: 10 1/4 x 7 in. (26.034 x 17.78 cm)
Credit Line
Gift of the Felix and Helen Juda Foundation
Accession Number
M.72.2.1
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Sohni and Mahinwal were two ill-fated young lovers who are said to have lived during the early 17th century. According to the legend, Mahinwal, whose given name was Mirza Izzat Beg, was the son of a wealthy ruler in Turkestan who was traveling with a merchant caravan. It stopped near the Panjabi town of Gujrat, where Izzat Beg chanced upon a young woman named Sohni (Beautiful) minding her father's pottery shop. Izzat Beg was so smitten by her loveliness that he abandoned the caravan to remain with Sohni, who soon came to reciprocate his ardor. Izzat Beg then managed to be hired by Sohni's father to tend the family's buffaloes across the river. Hence, his epithet, Mahinwal (Buffalo Herder). Their clandestine affair was soon discovered and Sohni was quickly married to a fellow potter's son. The distraught Mahinwal went to live with an ascetic near the river. The couple later resumed their illicit relationship and every night Sohni visited Mahinwal by swimming across the river using a large baked earthenware pot as a float. But Sohni's sister-in-law learned of their deceit and replaced Sohni’s baked pot with an unfired one. It dissolved at midstream and Mahinwal leaped into the river to save his beloved, but the current was too strong and the lovers sank into legend.

Here, Sohni is shown floating across a river on the overturned pot for her tryst with Mahinwal, who tends his buffaloes on the far bank. The ascetic sits in front of his cave smoking a hookah. See also AC1999.127.3.

Selected Bibliography
  • Pal, Pratapaditya, ed. A Pot-pourri of Indian Art. Bombay: Marg Publications, 1988.