LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Michael Cardew
Bowlcirca 1970

Not on view
No image
Artist or Maker
Michael Cardew
England, 1901-1983
Title
Bowl
Place Made
Wenford Bridge
Date Made
circa 1970
Medium
Stoneware
Dimensions
5 3/4 × 14 × 14 in. (14.61 × 35.56 × 35.56 cm)
Credit Line
Gift of Margaret and Joel Chen, Oliver Furth and Sean Yashar, Alison and Sasha Palevsky, and Viveca Paulin-Ferrell and Will Ferrell through the 2024 Decorative Arts and Design Acquisitions Committee (DA²)
Accession Number
M.2024.82.3
Classification
Ceramics
Collecting Area
Decorative Arts and Design
Curatorial Notes

Michael Cardew called himself the “Mud and Water Man,” which was also the title of a 1974 film about his lifelong devotion to ceramics and the alchemical magic that resulted when his hands touched clay. Cardew championed functional, affordable ceramics inspired by the English slipware tradition but infused with a modernist sensibility. He apprenticed in the early 1920s in St. Ives, Cornwall, under Bernard Leach, considered the father of British studio pottery. Leach was notable for combining British and Japanese ceramic traditions, and Cardew became a lifelong proponent of the Arts and Crafts values of “joy in labor” and creating well-made objects for everyday use. Appointed the Pottery Officer for the Department of Commerce and Industry in Nigeria in 1951, he set up a facility in Abuja for African and British students, intending to build a local ceramics industry. Cardew remained in Nigeria until 1965, where he trained many students, including his most famous protégé, Ladi Kwali (M.2024.82.1). Upon his return to the UK, he resumed making pottery in Cornwall, at a facility he had acquired called Wenford Bridge. Although this bowl was made there, it reflects Cardew’s long residence in Nigeria and the indelible influence of African forms and motifs, such as the line-and-dot pattern, on his work.

Bobbye Tigerman

2024

Related Unframed

Related Unframed

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”
50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”
  • August 5, 2025
  • Eliot Richards
This Week at LACMA
This Week at LACMA
  • December 2, 2024
  • Editors
This Week at LACMA
This Week at LACMA
  • October 14, 2024
  • Editors
Exhibitions Coming Soon for PST ART: Art & Science Collide
Exhibitions Coming Soon for PST ART: Art & Science Collide
  • August 16, 2024
  • Editors
Culture in a Cup
Culture in a Cup
  • August 1, 2024
  • Alexander Schneider
Cooking with LACMA: Stains Cobb Salad Inspired by Ed Ruscha
Cooking with LACMA: Stains Cobb Salad Inspired by Ed Ruscha
  • July 24, 2024
  • Maite Gomez-Rejón
Combating Food Insecurity in Los Angeles with Art and Activism
Combating Food Insecurity in Los Angeles with Art and Activism
  • July 18, 2024
  • Kristina Wong
Reframing German Expressionism
Reframing German Expressionism
  • May 30, 2024
  • Lauren Hanson
Don’t Be a Reacher! Table Manners in the Medieval Islamic World
Don’t Be a Reacher! Table Manners in the Medieval Islamic World
  • May 13, 2024
  • Sandra Williams
LACMA Favorites: Ernst Ludwig Kirchner’s Two Women
LACMA Favorites: Ernst Ludwig Kirchner’s Two Women
  • April 15, 2024
  • Jordan Tanguay
National Hispanic Heritage Month: Staff Picks from the Museum
National Hispanic Heritage Month: Staff Picks from the Museum
  • September 22, 2023
  • Editors
Remembrance of Things Future:  Conversations with Jen Stark and Sarah Zucker, Artists Experimenting on the Blockchain
Remembrance of Things Future: Conversations with Jen Stark and Sarah Zucker, Artists Experimenting on the Blockchain
  • March 9, 2023
  • Celia Yang
Cooking with LACMA: The Smorgasbord
Cooking with LACMA: The Smorgasbord
  • October 31, 2022
  • Maite Gomez-Rejón, Gaby Barrios
Classic Maya Figural Vessels
Classic Maya Figural Vessels
  • October 18, 2022
  • Karen Carrillo
The World on Three Plates
The World on Three Plates
  • October 17, 2022
  • Maite Gomez-Rejón
Cooking with LACMA: The Kitchens of New Spain
Cooking with LACMA: The Kitchens of New Spain
  • July 19, 2022
  • Gaby Barrios
Cooking with LACMA: Red Beans & Rice Inspired by Family Album
Cooking with LACMA: Red Beans & Rice Inspired by Family Album
  • April 12, 2022
  • Vivian Lin
Explore Indigenous Colombia Across Space and Time in The Portable Universe
Explore Indigenous Colombia Across Space and Time in The Portable Universe
  • March 24, 2022
  • Alexander Schneider
Artists Inspired by Music: Reimagining Iconic Records Through the Lens of Visual Art
Artists Inspired by Music: Reimagining Iconic Records Through the Lens of Visual Art
  • February 7, 2022
  • Staci Steinberger
Significant Collection of Indigenous American Artworks Promised to LACMA
Significant Collection of Indigenous American Artworks Promised to LACMA
  • September 10, 2021
  • Gordon Ambrosino, Julia Burtenshaw, Staci Steinberger
Cleaning a German Expressionist Painting
Cleaning a German Expressionist Painting
  • August 18, 2021
  • Caroline Hoover
Cooking with LACMA: Chirashi Zushi Inspired by Yoshitomo Nara
Cooking with LACMA: Chirashi Zushi Inspired by Yoshitomo Nara
  • August 6, 2021
  • Vivian Lin
Repair and Recycle: Practicing Kintsugi with Conservators
Repair and Recycle: Practicing Kintsugi with Conservators
  • August 4, 2021
  • Abigail Duckor
Doyle Lane’s Ceramic Innovations
Doyle Lane’s Ceramic Innovations
  • March 2, 2021