Chris Burden produced a provocative body of work across mediums, ranging from monumental and kinetic sculptures to physically discomfiting performances and confrontational installations. A true skeptic, Burden questioned the world around him and the infrastructures (both visible and social) that shape and are shaped by it.
Shoot is perhaps his most famous performance. Against the backdrop of the protracted Vietnam War, in which about 10 percent of the artist’s generation served, the violence that Burden turned on himself was then commonplace in print and television media. He asked his trusted friend, art student and trained marksman Bruce Dunlap, to shoot at him with a .22-caliber rifle from a distance of about 15 feet. Standing in a sparse industrial space-turned-gallery, Burden expected the bullet would slightly graze his left arm. Instead, he received a flesh wound that caused a significant loss of blood. Word of this shocking performance spread rapidly, bringing Burden international notoriety for an extreme act largely aimed at snapping a violent American society out of its complacency. Through its deliberately bare and grainy footage, Shoot still transmits the psychological tension and palpable discomfort Burden sought to create in his performances, which, despite his proclaimed attempt to control fate, underscore the illusion of control and the precarity of human existence.
Lauren Hanson