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The Goddess Ambika Leading the Mother Goddesses in Battle Against the Demon Raktabija (recto), Text (verso); Folio from a Devimahatmya (Glory of the Goddess)circa 1725-1750

Not on view
Indian manuscript painting with two registers of multi-armed divine and demonic figures in battle, rendered in flat red, blue, teal, and gold with Devanagari inscriptions
Artist or Maker
Unknown
Title
The Goddess Ambika Leading the Mother Goddesses in Battle Against the Demon Raktabija (recto), Text (verso); Folio from a Devimahatmya (Glory of the Goddess)
Place Made
Nepal, Kathmandu Valley
Date Made
circa 1725-1750
Medium
Opaque watercolor and ink on paper
Dimensions
4 1/2 x 8 in. (11.43 x 20.32 cm)
Credit Line
Gift of Paul F. Walter
Accession Number
M.70.70
Classification
Drawings
Collecting Area
South and Southeast Asian Art
Curatorial Notes

Dating from circa 550 CE, the Devimahatmya (Glory of the Goddess) is a devotional text of 700 Sanskrit verses that extol the Goddess (Devi) as the supreme power and creator of the universe. The verses were interpolations to the earlier Markandeya Purana dating from circa 250 CE and then extracted as a stand-alone text. The Devimahatmya describes the Goddess in her various aspects triumphing over the demons Madhu and Kaitabha, Mahishasura, Dhumralochana, Chanda and Munda, Raktabija, and Shumbha and Nishumbha.

Here, the Goddess Ambika is leading the Mother Goddesses (Matrikas) in battle against the demon Raktabija. The eight-armed Goddess rides a white lion and slays a horde of demons with the assorted weapons she wields. Behind Ambika is Kalika drinking the blood of her enemies, Indrani riding an elephant, and the boar-headed Varahi riding a buffalo. In the upper register from left to right are the horrific Chamunda wearing a garland of skulls, the green-skinned Vaishnavi riding the half-avian, half-man Garuda, the red-skinned Kaumari riding a peacock, the white-skinned Maheshvari riding a bull, the yellow-skinned Brahmani riding a gander, and a horde of slain demons. Descriptive textual verses are inscribed on the reverse.

See its series mate M.2001.229.5. Additional folios from this dispersed series are in the Asian Art Museum, San Francisco (1996.15), San Diego Museum of Art (1990.166), and University of Michigan Museum of Art (1970/2.148).

Selected Bibliography
  • Pal, Pratapaditya. Art of Nepal. Los Angeles: Los Angeles County Museum of Art; University of California Press, 1985.