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“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”
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Exhibitions to See in 2026
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Currents of Memory: The Oceanic Worlds of “Stray Dog Hydrophobia”
- December 4, 2025
- Patty Chang, Elizabeth DeLoughrey, David Kelley
For Immediate Release: Bringing LACMA’s Historical Press Releases Online
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- Alicia Mara
A Work That Doesn’t Arrive—It’s Made
- June 10, 2025
- Frances Lazare
This Week at LACMA
- June 1, 2025
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A Portrait of Magdalena Suarez Frimkess, Playful Pioneer in Ceramics
- August 6, 2024
- Erin Wright
“I use the computer to explore what it means to be a human”: Tyler Hobbs’ Connected for the Moment 1 and Discrete Affection #3
- June 18, 2024
- Caitlin Spencer
In Memoriam: Frank Stella
- May 8, 2024
- Editors
This Week at LACMA
- September 24, 2023
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This Week at LACMA
- May 28, 2023
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Discover the Music of the Computer Age with the Coded Exhibition Soundtrack
- May 10, 2023
- Mark “Frosty” McNeill
This Week at LACMA
- April 9, 2023
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Remembrance of Things Future: Conversations with Jen Stark and Sarah Zucker, Artists Experimenting on the Blockchain
- March 9, 2023
- Celia Yang
Cooking with LACMA: The Kitchens of New Spain
- July 19, 2022
- Gaby Barrios
2022 Art + Technology Lab Grant Recipients
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- Joel Ferree
Carmen Herrera’s Estructura Verde Embodies the Minimalist Beauty of Bold Color and Clean Lines
- October 19, 2021
- Alexander Schneider
NFTs and the Museum Part 3: Artists and NFTs—Cayetano Ferrer in Conversation with Peter Wu+
- September 20, 2021
- Cayetano Ferrer, Peter Wu+, Joel Ferree
NFTs and the Museum Part 2: Legal Issues for Acquisitions
- August 30, 2021
- Joel Ferree, Jeffrey Blair, Sarah Conley Odenkirk
2021 DA² Acquisitions
- August 3, 2021
- Wendy Kaplan, Rosie Mills, Staci Steinberger, Bobbye Tigerman
Yoshitomo Nara: A Conversation with Curator Mika Yoshitake
- March 10, 2021
- Arthur Nguyen
LACMA’s Korean Art Department Looks Forward
- March 8, 2021
- Virginia Moon
2020 AHAN: Studio Forum Acquisitions
- July 27, 2020
- Danielle Pesqueira