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Collections

Unidentified artist
Sewing or Jewelry Box (Costurero o joyero)last third of the 18th century

Not on view
Octagonal lidded box with mother-of-pearl inlay on dark tortoiseshell-brown ground, radiating floral petal pattern on lid with zigzag border trim
Octagonal lacquered box shown open, with red interior divided into compartments; lid decorated with gilt scrolling foliage and a central winged motif; exterior panels inlaid with mother-of-pearl floral patterns on a dark ground.
Artist or Maker
Unidentified artist
Title
Sewing or Jewelry Box (Costurero o joyero)
Place Made
Guatemala (for export market, possibly Peru)
Date Made
last third of the 18th century
Medium
Wood, inlaid with mother-of pearl and tortoiseshell, brass, silver, and paint
Dimensions
Diameter: 15 3/4 in. (40 cm)
Credit Line
Purchased with funds provided by the Bernard and Edith Lewin Collection of Mexican Art Deaccession Fund
Accession Number
M.2022.5
Classification
Furnishings
Collecting Area
Latin American Art
Curatorial Notes

A mesmerizing pattern of hearts and leaves in shimmering, opalescent shell fragments covers all surfaces of this octagonal sewing box. The interior, which is decorated with imitation lacquer evocative of Chinese aesthetics, is dominated by a gilded, crowned, double-headed eagle, a symbol of the Spanish monarchy, and also of the Augustinian order. The surrounding floral motifs include tulips, which originated in the Turkish mountainsides and were collected in courtly gardens of sultans. These flowers became an object of enduring fascination (and a source of big business) in Europe from the mid-sixteenth century onward. Employed as an ornamental element across a range of media, the prized bloom was also a marker of fashion and a symbol of wealth.

Because of their materials and their designs that vaguely resemble Asian decorative arts, these works have been difficult to categorize. Scholars have suggested that they were imported aboard the famous Spanish trading ships—known as the Manila Galleons—that traveled annually between the Philippines and Mexico. But archival and material documentation suggests that such works originated in Guatemala, where mother-of-pearl and tortoiseshell were harvested locally and considered prized commodities. Many items made of these materials were exported to Mexico and Peru. The designs draw on a range of European and Asian sources, which local artists creatively reinterpreted.

Ilona Katzew

2024

Provenance
Collection of Jean-Pierre Carrière, Paris; by inheritance to his sister Denise Carrière, Paris, 2019; Galerie Terrades, Paris, 2021; LACMA, 2022.
Selected Bibliography
  • Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.
  • Ilona Katzew, “Special Things: Boxes in Spanish America,” Unframed, July 20, 2022, https://unframed.lacma.org/2022/07/20/special-things-boxes-spanish-america.

Selected Exhibition History
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024

Related Exhibitions

Related Unframed

Special Things: Boxes in Spanish America
Special Things: Boxes in Spanish America
  • July 20, 2022
  • Ilona Katzew