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Collections

Tahmineh Monzavi
The Brides of Mokhber al-Dowleh2012

Not on view
Black and white photograph looking down onto densely packed urban building facades, featuring a white ball gown on a mannequin in a shopfront window amid brick walls, air conditioners, and aged stonework
Artist or Maker
Tahmineh Monzavi
Iran, born 1988
Title
The Brides of Mokhber al-Dowleh
Date Made
2012
Medium
Inkjet print (pigment based)
Dimensions
Primary support: 27 1/2 × 43 13/16 in. (69.85 × 111.28 cm) Image: 23 1/2 × 35 3/4 in. (59.69 × 90.81 cm)
Credit Line
Purchased with funds provided by Guy H. Weston
Accession Number
M.2019.287.2
Classification
Photographs
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

In her series The Brides of Mokhber al-Dowleh, the photographer, Tahmineh Monzavi, records the run-down workshops of the titular district in
Tehran where young working-class men construct bridal gowns, describing them as the “costumes of women’s dreams.” Monzavi
captures the incongruity of the all-male workforce juxtaposed with the ultrafeminine garments they produce. In these two images,
Monzavi focuses on solitary gowns, perhaps emphasizing their symbolism as receptacles for the fantasies of the men who make
them as well as the women who might purchase them. Monzavi has been working as a professional photographer since 2005. In
2012, she was arrested as part of a larger government crackdown on the press and was imprisoned for one month, but upon her
release she continued producing work that captured the realities and hardships of Iranians.

Selected Bibliography
  • Komaroff, Linda, Stephanie Rouinfar, Sandra Williams, and Sarah Mostafa Ahmed. Women Defining Women in Contemporary Art of the Middle East and Beyond. Los Angeles: Los Angeles County Museum of Art, 2023. https://archive.org/details/women-defining-women (accessed January 12, 2024).