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Collections

Winged Being Performing Ritual Purification9th century B.C.

On view:
Geffen Galleries, floor 3
Large ancient stone relief panel carved with a winged, bearded human figure in profile, wearing a horned headdress and fringed garments, with a column of cuneiform text to the right
Alabaster relief panel depicting a winged, bearded figure in profile, wearing a horned crown and fringed robe, holding a small bucket and a pinecone-shaped object; cuneiform inscription in the upper right.

Unknown, Winged Being Performing Ritual Purification, 9th century B.C., Los Angeles County Museum of Art, Purchased with funds provided by Anna Bing Arnold, photo © Museum Associates/LACMA

Title
Winged Being Performing Ritual Purification
Place Made
Northern Iraq, Nimrud
Date Made
9th century B.C.
Period
Neo-Assyrian
Medium
Alabaster
Dimensions
90 3/4 × 76 × 3 in. (230.51 × 193.04 × 7.62 cm) Weight: 2 Ton 50 lb. (1837.1 kg)
Credit Line
Purchased with funds provided by Anna Bing Arnold
Accession Number
66.4.5
Classification
Sculpture
Collecting Area
Art of the Middle East: Ancient
Curatorial Notes

This splendid panel is one of a group of five low-carved reliefs (see also .2, .4) from the northwest palace of the Assyrian king Ashurnasirpal II (r. 883−859 BCE), at Nimrud (ancient Kalhu). Located on the Tigris River in northern Iraq, the site was first excavated by Austen Henry Layard, an English diplomat, politician and archaeologist, in 1845. Built of mud brick on stone foundations, the lower interior levels of the palace were decorated by an extensive sequence of alabaster slabs that were carved in place and originally painted in black, white, red, and blue. Rendered with remarkable detail, this panel depicts a majestic winged supernatural being holding a bucket and a cone, possibly connected with some purifying or protective ritual. Here and across the center of the other panels is a cuneiform inscription enumerating the king’s accomplishments.

The LACMA reliefs were discovered in adjacent rooms; this panel and 66.4.4 from the other. In 1855, William Kennett Loftus, who had succeeded Layard, offered the panels to the Literary and Philosophical Society of Newcastle upon Tyne, England, and for more than a century they were displayed near the entrance of that institution. By the 1960s they had come on the art market and were subsequently acquired by Anna Bing Arnold for LACMA in 1966.


Selected Bibliography
  • Mousavi, Ali. Ancient Near Eastern art at the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2012.