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Collections

Hitomi Hosono
'A Leaves Bowl'2016

Not on view
Ceramic vessel with rounded form covered entirely in dense, overlapping raised leaf-shaped relief textures, unglazed matte white finish
Ceramic vessel with rounded form, covered inside and out in densely applied relief leaf forms; unglazed white surface with soft grey shadows accentuating the layered, organic texture.
Ceramic vessel photographed from above, with a rounded rim covered in dense relief leaf-form textures in matte white glaze, interior filled with layered sculptural leaf shapes revealing dark recesses beneath.
Artist or Maker
Hitomi Hosono
born 1978, Japan, Gifu Prefecture, Tajimi, active United Kingdom
Title
'A Leaves Bowl'
Date Made
2016
Medium
Porcelain
Dimensions
Overall (Diameter): 8 1/16 × 11 5/8 in. (20.5 × 29.5 cm)
Credit Line
Gift of the 2017 Decorative Arts and Design Acquisition Committee (DA2)
Accession Number
M.2017.231
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

In 2008, while studying for a postgraduate degree at London’s Royal College of Art, Japanese artist Hitomi Hosono learned the ceramic technique of "sprigging" through an internship at the 250-year-old Wedgwood factory in Staffordshire. Sprigging is an ancient technique of applying low-relief decoration; its popular name derives from the plant-based motifs produced by European ceramics manufacturers like Wedgewood from the eighteenth century onwards. Once Hosono mastered Wedgwood’s industrial press-mold process, she began to experiment with the properties of the clay. By modifying the clay’s composition to increase its strength and flexibility, Hosono liberated the molded elements from their supporting surface. This technical achievement forms the basis of her ongoing work. In characteristic pieces such as A Leaves Bowl, her organic ornament is so thick that it completely obscures the core and lifts away from the rim as if caught by a gentle breeze.

The Rosalinde and Arthur Gilbert Foundation Associate Curator, Decorative Arts and Design, 2017