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Collections

Habibollah Sadeghi
Every Day is Ashura and Every Land is Karbala1983

Not on view
Vertical print featuring a green-framed panel with Persian calligraphy over a patterned carpet ground, red paint drips, and an affixed document; Arabic text in crimson at the bottom
Artist or Maker
Habibollah Sadeghi
Iran, born 1957
Title
Every Day is Ashura and Every Land is Karbala
Date Made
1983
Medium
Lithograph
Dimensions
Primary support (.1): 27 9/16 × 19 11/16 in. (70.01 × 50.01 cm)
Credit Line
Gift of the artist
Accession Number
M.2017.239.1
Classification
Prints
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes

Based on the artist’s original painting, this poster by Habibollah Sadeghi represents the paradigm of the ongoing battle between the righteous and the wicked, beyond time and place, and epitomized by the massacre of Imam Husain and his family at Karbala. This key event in Shi‘ite history occurred on the tenth day of the month of Muharram, or Ashura. At right is a proclamation by Ayatollah Khomeini, issued in the month of Muharram in 1978, in which he drew parallels between Imam Husain’s followers and his own followers seeking regime change.

Selected Bibliography
  • Komaroff, Linda. In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art. Los Angeles: Los Angeles County Museum of Art; Munich; New York: DelMonico Books-Prestel, 2018.