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Collections

George Bellows
Why Don't They Go to the Country for a Vacation?1913

Not on view
Lithograph or etching of a densely packed urban street scene, crowds of working-class figures filling a tenement alleyway, with children on the ground and laundry strung between buildings above

George Bellows, Why Don't They Go to the Country for a Vacation?, 1913, Los Angeles County Museum of Art, Los Angeles County Fund, photo © Museum Associates / LACMA

Artist or Maker
George Bellows
United States, Ohio, Columbus, 1882-1925
Title
Why Don't They Go to the Country for a Vacation?
Place Made
United States
Date Made
1913
Medium
Direct trace monotype and brush and pen black ink with scraping on wove paper
Dimensions
Sheet: 25 x 22 1/2 in. (63.5 x 57.15 cm)
Credit Line
Los Angeles County Fund
Accession Number
60.43.1
Classification
Prints
Collecting Area
Prints and Drawings
Curatorial Notes

This print relates directly to Bellows’s 1913 oil painting Cliff Dwellers, on display in the gallery at left, in view of this object. Why Don't They Go to the Country for a Vacation? first appeared as the frontispiece for the August 1913 issue of The Masses, an irreverent, illustrated monthly magazine of progressive politics and culture published between 1911 and 1917. John Sloan was the periodical’s art director and was instrumental in getting his artist-friends to submit artworks to illustrate it. Bellows worked simultaneously on studies for Cliff Dwellers (completed in May 1913) and drawings for The Masses.

Appropriate to the magazine’s tone, Bellows’s title, Why Don't They Go to the Country for a Vacation?, mocked the snobbish views of many New Yorkers who were incapable of understanding how the poor survived in the hot and overcrowded neighborhoods of lower Manhattan. These were the very sorts of New Yorkers he knew would see his less provocatively titled painting of the same subject for the first time that October. As the critic for the New York Sun wrote in response to its first exhibition, “George Bellows’s Cliff Dwellers is appalling. Can New York really be like that in summer?” Bellows’s drawings for The Masses and the final painting attempted to nullify such apathy by representing unflinchingly how poor people make the best of a difficult situation by spending hours outdoors together in the streets.

Selected Bibliography
  • Quick, Michael; J. Myers; M. Doezema; and Franklin Kelly. The Paintings of George Bellows. New York: Harry N. Abrams, Inc., 1992.
  • Mason, Lauris; J. Ludman; C. Morgan. The Lithographs of George Bellows: A Catalogue Raisonné. Millwood, N.Y.: KTO Press, 1977.
  • Engel, Charlene Stant. "George W. Bellows' Illustrations for the Masses and Other Magazines and the Sources of his Lithographs of 1916-17." PhD diss., University of Wisconsin-Madison, 1976.
  • Schrader, Stephanie, James Glisson, and Alexander Nemerov. True Grit: American Prints from 1900 to 1950. Los Angeles: J. Paul Getty Museum, 2019.

Related Unframed

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