Mexican Government Tourism Department

Mexicomid-20th century

Experience the Joy of “From MacArthur Park, with Love” at Charles White Elementary School

Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station

Everything You Need to Know About LACMA’s New David Geffen Galleries

50 Works 50 Weeks: Stephanie Shih’s “梅國 (Still life with chamoy and Dirty T Tamarindo)”

50 Works 50 Weeks: Diego Rivera’s “Flower Day (Día de flores)”

50 Works 50 Weeks: rafa esparza’s “...we are the mountain”

50 Works 50 Weeks: Our Lady of Guadalupe

Exhibitions to See in 2026

An Appreciation: Frank O. Gehry (1929–2025)

50 Works 50 Weeks: Ruth Asawa’s “Untitled” (S.027)

Artists Represent Themselves: Frida Orupabo on “Untitled (sources unknown except Shadman Shahid [bottom left])”

Reimagining a Silver Pelican in Bolivia

50 Works 50 Weeks: Colima Dog

A Bold New Genre: Manuel de Arellano's Precursors of Casta Painting

LACMA Announces Six New Acquisitions During the 39th Annual Collectors Committee Weekend

Colorful Connections: Public Programs for We Live in Painting

Get into the Halloween Spirit with the Spookiest Highlights from Our Collection

Artists in Mexico Rediscover Their Ancestors’ Recipes for Color

Andell Family Sundays: All the Colors!

Cooking with LACMA: Stains Cobb Salad Inspired by Ed Ruscha

New Acquisition: Judy Baca’s “Hitting the Wall: Women in the Marathon”

A World of Brilliance: The Mexican Pax

LACMA Favorites: Karla Diaz's Trenzas (Braids), My Alter Ego

Rubén Ortiz Torres's Dead Heads Envisions a New Kind of Monument