Georg Herold

Surface2005

Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”

This Week at LACMA

Step into Spring with Third Weekends at LACMA

Diffuse Control by Beeple Iteration: Future Past

Diffuse Control by Beeple Iteration: Blurred Edges

Planting Jeff Koons’s “Split-Rocker”

Andell Family Sundays: Explorations in Ink at Home

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”

“The thing becoming itself”: Fabián Cereijido and Francesco Siqueiros on Portraiture

50 Works 50 Weeks: Scherezade García's “Harvest of the Sea”

A Work That Doesn’t Arrive—It’s Made

Advancing Sustainable Conservation: LACMA’s Research on Greener Technologies for Cultural Heritage

New Acquisition: Six Works by Japanese American Modernists

“The texture of technology”: Q&A with Artist April Greiman

What Is Collotype Printing? Learning from Japan’s Benrido Studio

Curating Evading Capture: Black Women in Cinema

“Digital art is a kind of performance”: Q&A with Casey Reas

Baca: A Cinematic Portrait of Judy Baca and The Great Wall of Los Angeles

In Memoriam: Frank Stella

New Acquisition: Ladi Kwali’s Water Jar

New Acquisition: 16th-century Ottoman Dish

Sandra de la Loza's Living, Breathing Monument to Ecologies of the Future