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Collections

Michael Stone
Channel 5 News KTLA Los Angeles, California USA: War1970-2011

Not on view
Vertical sculpture with chrome pole and black base, three tiers of color photographs sealed in clear plastic bags, separated by strips of film negative
Small clear plastic bag containing a square photographic print; the print shows dark silhouetted figures against a teal and orange background with a radiant sunburst shape. The bag's sealed top strip is printed with a strip of black-and-white photographic images of figures.
Artist or Maker
Michael Stone
United States, born 1945
Title
Channel 5 News KTLA Los Angeles, California USA: War
Date Made
1970-2011
Medium
Gelatin silver print, vacuum-formed vinyl, masonite, and aluminum
Dimensions
Installation: 27 × 8 × 8 in. (68.58 × 20.32 × 20.32 cm) a-i) Gelatin silver prints and vacuum-formed pouch: 7 1/4 × 6 7/8 × 3/4 in. (18.42 × 17.46 × 1.91 cm)
Credit Line
Purchased with funds provided by the Ralph M. Parsons Fund
Accession Number
M.2015.54a-j
Classification
Sculpture
Collecting Area
Photography
Curatorial Notes

Michael Stone’s work explores photographic materiality, with an ongoing interest in politics and social unrest. In this photo-sculpture, photographs taken directly off 1970s television newscasts have been vacuum-sealed into consumable pouches and displayed on a rack similar to those found in your local convenience store. Stone’s three-dimensional approach to photography is predicated on his study of industrial design prior to his graduate work at UCLA with Robert Heinecken, who promoted an experimental practice that mined found images (in magazines, newspapers, and TV advertisements) from our media-saturated world.

Here, politically fraught scenes, like those of former Los Angeles Police Chief Thomas Reddin in his new position as a news commentator, beside a visual onslaught of the Vietnam War and those of B-movie star turned governor Ronald Reagan, are transposed from screen to shelf, representing the artist’s commentary on American over-commodification. Stone deftly exposes the viewer to the influences of our mediated world and to California’s complicity vis-à-vis our dueling centers of entertainment and military production. This work was included in the seminal exhibition Photography into Sculpture (organized by the Museum of Modern Art in 1970), which marked an important moment of experimental applications of photography, of which Southern California was identified as a primary locus.

Eve Schillo

2021

Copyright
© Michael Stone

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