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Collections

Sherin Guirguis
Untitled (Shubbak V)2013

Not on view
Mixed-media work on paper combining an ogee arch filled with Islamic geometric lattice pattern, gold paint, teal ink washes, and radiating multicolored feathers in teal, magenta, and gold
Triptych of mixed-media works on paper, each featuring a standing human silhouette covered in Islamic geometric lattice patterns, set against arch-shaped gold leaf backgrounds, with explosive bursts of colorful feathers, ink, and paint splashes in teal, pink, yellow, and purple radiating outward from the figures.
Artist or Maker
Sherin Guirguis
Egypt, Luxor, born 1974
Title
Untitled (Shubbak V)
Place Made
Egypt
Date Made
2013
Medium
Mixed media on hand-cut paper
Dimensions
Sheet: 72 × 29 in. (182.88 × 73.66 cm) Frame: 79 × 37 1/4 × 2 1/2 in. (200.66 × 94.62 × 6.35 cm)
Credit Line
Purchased with funds provided by Angela and Isaac Larian with additional funds provided by Art of the Middle East: CONTEMPORARY
Accession Number
M.2015.9.1
Classification
Collages
Collecting Area
Art of the Middle East: Contemporary
Curatorial Notes
Sherin Guirguis has dedicated much of her artistic career to highlighting the work of Egyptian feminists. The series to which this trio of images (see also M.2015.9.2, .3) belong was inspired by the life of Huda Sha'arawi, an early twentieth-century Egyptian feminist, nationalist, and founder of the Egyptian Women’s Union. Here, Guirguis depicts a watershed moment in Sha'arawi’s life in 1923, when she and fellow activist Saiza Nabrawi publicly removed their face veils at a Cairo railway station, a revolutionary act that precipitated the eventual disappearance of veiling among upper- and middle-class Egyptian women. These artworks reference the still-veiled women and one of the windows of the Bab al-Hadid railway station, where Sha'arawi and Nabrawi’s daring act took place. Born in Luxor, Egypt, Guirguis moved at the age of 14 to the United States, where she continues to live and work. She is a professor in the Design Department at the University of Southern California.
Selected Bibliography
  • Komaroff, Linda. "Islamic Art Now and Then." In Islamic Art: Past, Present, Future, edited by Sheila Blair and Jonathan Bloom, 26-56. New Haven, New York, and London: Yale University Press, 2019.

  • Komaroff, Linda, Stephanie Rouinfar, Sandra Williams, and Sarah Mostafa Ahmed. Women Defining Women in Contemporary Art of the Middle East and Beyond. Los Angeles: Los Angeles County Museum of Art, 2023. https://archive.org/details/women-defining-women (accessed January 12, 2024).