LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2025

Museum Hours

Monday

11 am–6 pm

Tuesday

11 am–6 pm

Wednesday

Closed

Thursday

11 am–6 pm

Friday

11 am–8 pm

Saturday

10 am–7 pm

Sunday

10 am–7 pm

 

  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2025
Collections

Felipe Santiago Gutiérrez
Indigenous Woman with Marigolds (Mujer indígena con cempasúchiles)1876

On view:
Geffen Galleries, Indigenismo in Latin America
Oil painting portrait of a young woman in a white blouse, her dark braided hair adorned with a red ribbon, looking down at a small bunch of yellow flowers she holds in both hands
Artist or Maker
Felipe Santiago Gutiérrez
Mexico, Texcoco, 1824-1904
Title
Indigenous Woman with Marigolds (Mujer indígena con cempasúchiles)
Place Made
Mexico
Date Made
1876
Medium
Oil on canvas
Dimensions
Unframed: 26 3/4 × 22 1/4 × 5/8 in. (67.95 × 56.52 × 1.59 cm); framed: 32 3/4 × 28 × 2 in. (83.19 × 71.12 × 5.08 cm)
Credit Line
Gift of Ronald A. Belkin, Long Beach, California
Accession Number
M.2013.130.2
Classification
Paintings
Collecting Area
Latin American Art
Curatorial Notes

One of Mexico’s foremost academic painters, Felipe Santiago Gutiérrez is also known for his travel writings and art criticism. This portrait of an indigenous woman wearing a huipil (native blouse) and holding a marigold is emblematic of the artist’s ability to capture a fugitive moment and the spirit of the sitter. Everyday subjects were of particular interest among nineteenth-century academic artists. Santiago Gutiérrez trained at the Royal Academy of San Carlos in Mexico City, where he was influenced by the Catalan painter Pelegrín Clavé (1811–1880).

From 1848–1854 Gutiérrez taught at the Instituto Literario de Toluca, but by 1855 he was back at the Academy of San Carlos where he remained until 1858. A restless spirit, he traveled incessantly in Mexico, the United States, South America, and Europe. His influence and connection with artists in the many cities he visited (including San Francisco and New York) remains a fertile yet largely uncharted chapter of his career.

Ilona Katzew, Curator and Department Head, Latin American Art

Selected Bibliography
  • Manthorne, Katherine. California Mexicana: Missions to Murals, 1820-1930. Laguna Beach: Laguna Art Museum, 2017.