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Collections

Francesco Xanto Avelli da Rovigo
Charger with Apollocirca 1530

On view:
Geffen Galleries, floor 2
Italian maiolica plate with a painted narrative scene of four figures — a robed youth, a winged figure on a rock, a reclining man, and an elder — in a cobalt blue landscape with a heraldic eagle shield
Artist or Maker
Francesco Xanto Avelli da Rovigo
Title
Charger with Apollo
Place Made
Italy, Urbino
Date Made
circa 1530
Medium
Tin-glazed earthenware (maiolica)
Dimensions
Diameter: 11 3/4 in. (29.85 cm); Depth: 6 1/4 in. (15.88 cm)
Credit Line
William Randolph Hearst Collection
Accession Number
50.9.15
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

This impressive figural narrative (istoriato) plate is by Xanto, one of Urbino’s most distinctive and prolific maiolica painters. The subject is a scene from Ovid’s Metamorphoses in which the Greek god Pan, known for his musical talent with reed pipes, challenged Apollo to a contest to see who was the better musician. King Midas served as the judge. Favoring Pan, Midas triggered the wrath of Apollo, who gave the dimwitted king the large, floppy ears of a donkey. Afterward, Midas wore a turban to conceal his embarrassment.

On this plate, Apollo plays his lyre in the center of the composition, while a Pan-like figure, albeit with human rather than the more typical animal legs, reclines next to a large horn. The old man at the right who wears a turban is probably King Midas. According to Ovid, the scene took place against the steep mountain slopes of Mount Tmolus, suggested here by the hills and townscape behind Apollo. The prominent heraldic shield with a white eagle belongs to an unidentified family. Other known plates from this service have different mythological subjects that would have appealed to a well-educated patron familiar with classical art and literature.