LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Unknown
Belle Donne Chargercirca 1530-1550

Not on view
Italian maiolica lustreware plate with golden-amber and pale blue glaze, featuring a bust portrait of a woman with flowing hair and ribbon banners bearing Latin text, surrounded by a foliate border
Artist or Maker
Unknown
Title
Belle Donne Charger
Place Made
Italy, Deruta
Date Made
circa 1530-1550
Medium
Tin-glazed earthenware (maiolica)
Dimensions
Diameter: 17 1/8 in. (43.5 cm)
Credit Line
William Randolph Hearst Collection
Accession Number
50.9.11
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

Large display plates with idealized portraits of beautiful women (belle donne) were popular during the Renaissance and were produced by many factories in different regions of Italy. This plate with copper luster glaze was made in Deruta, a major center of ceramic production where potters perfected the technique of firing earthenware with metallic oxide glazes. Inscriptions on the plates, whether on a fluttering ribbon, as here, or around the border on others, typically describe the women as divine or pure. The result is not a portrait but rather a fantasy of female beauty and virtue. The fact that nearly identical designs appear on other plates with different borders and mottos indicates that Deruta artists were able to transfer designs that they customized by the addition of one motto or another. Individual women’s names often appear, but even without them, these plates are best understood as gifts from a suitor or spouse. Marriage was serious business in Renaissance Italy. It involved the union of families, fortunes, and reputations. Gifts were part of many marriage contracts, and a plate like this was a visual expression of love while also serving as a reminder of Renaissance society’s expectations of a young woman.