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Collections

Attributed to Python
Bell-Krater with (A) the Centaur Chiron Accompanied by a Satyr and (B) Two Youthscirca 350-325 B.C.

On view:
Geffen Galleries, floor 1
Red-figure ceramic bell krater with glossy black glaze, decorated with a centaur raising a spear beside a smaller nude figure, framed by stylized plants and a leaf-pattern rim
Red-figure bell krater with black gloss ground; two draped figures face each other on the body, rendered in warm terracotta tones with added white and purple detail; flanked by palmette and spiral ornaments; wave pattern band below figures; laurel wreath at rim.

Attributed to Python, Bell-Krater with (A) the Centaur Chiron Accompanied by a Satyr and (B) Two Youths, circa 350-325 B.C., Los Angeles County Museum of Art, William Randolph Hearst Collection, photo © Museum Associates/LACMA

Artist or Maker
Attributed to Python
Title
Bell-Krater with (A) the Centaur Chiron Accompanied by a Satyr and (B) Two Youths
Place Made
South Italy, Paestum
Date Made
circa 350-325 B.C.
Medium
Red-figure ceramic
Dimensions
15 × 15 × 15 in. (38.1 × 38.1 × 38.1 cm)
Credit Line
William Randolph Hearst Collection
Accession Number
50.8.40
Classification
Furnishings
Collecting Area
European Painting and Sculpture: Greek and Roman
Curatorial Notes

With its wide mouth and rounded body, this ceramic bell-krater from southern Italy (Paestum) was designed to mix and serve diluted wine. A laurel wreath encircles the krater just below the mouth. The front of the vessel depicts Chiron the centaur (a horse-man hybrid), with a satyr (a goat-man hybrid) to the left. Chiron wears a leopard skin around his shoulders and walks with a torch in one hand and a phiale (offering dish for libations) in the other. He cradles a branch draped with votive offerings, including a fillet, a tablet, and small vessels. The satyr, carrying a thyrsos (a giant fennel stalk usually topped by a large pinecone or ivy, typically associated with the god Dionysos) and laden with strings of beads, turns back to look at Chiron. A long fillet curls around a spray of ivy in the top left field.

Typically, centaurs were bestial and uncultured creatures—wild, prone to drunkenness and violence, and lusty. Chiron was unique among them for his wise and civilized character, and he served as a teacher to many heroes of Greek mythology, including Achilles and Jason (of the Argonauts).

The back side of the krater depicts two young men facing each other, each wearing cloaks (himation), shoes, and wreaths. The taller youth holds up a berry spray, now preserved only as a stain. A low stela stands at right, while a dot-fillet hangs at the upper left of the scene.

Under each handle, tall volutes with partial palmettes flank a large, central palmette. The center of the left palmette is painted white, while the center of the right is painted yellow. In addition to these pigments, there is evidence of shading on Chiron’s rump, hoof, and leopard skin rendered with a dilute brown wash, all suggesting the skill of the painter.

Selected Bibliography
  • Levkoff, Mary L., ed. Hearst the collector. Exh. Cat. New York: Abrams and Los Angeles: Los Angeles County Museum of Art, 2008.
  • Clement, Paul A. "Geryon and Others in Los Angeles." Hesperia: The Journal of the American School of Classical Studies at Athens 24, no.1 (1955): 1-24.
  • Hope, Francis, and E.M.W. Tillyard. The Hope Vases: a Catalogue and a Discussion of the Hope Collection of Greek Vases. Cambridge: University Press, 1923.
  • Reinach, Salomon. Répertoire des Vases Peints Grecs et Étrusques. Paris: E. Leroux, 1922.