Manuel Carrillo

50

50 Works 50 Weeks: Stephanie Shih’s “梅國 (Still life with chamoy and Dirty T Tamarindo)”

50 Works 50 Weeks: Millard Sheets’s “Angel’s Flight”

50 Works 50 Weeks: Lauren Halsey Commissions

50 Works 50 Weeks: Henri Matisse’s “La Gerbe”

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

50 Works 50 Weeks: The Ardabil Carpet

50 Works 50 Weeks: Diego Rivera’s “Flower Day (Día de flores)”

50 Works 50 Weeks: rafa esparza’s “...we are the mountain”

50 Works 50 Weeks: Auguste Rodin’s “Monument to Honoré de Balzac”

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

This Week at LACMA

50 Works 50 Weeks: Vincent van Gogh’s “Tarascon Stagecoach”

This Week at LACMA

50 Works 50 Weeks: Giorgio Ghisi’s “Cupid and Psyche”

50 Works 50 Weeks: Lisa Reihana’s “Dancing Bride”

50 Works 50 Weeks: Our Lady of Guadalupe

50 Works 50 Weeks: Lavinia Fontana’s “The Holy Family with Saint Catherine of Alexandria”

50 Works 50 Weeks: Mariana Castillo Deball’s “Feathered Changes”

Exhibitions to See in 2026

Looking Back at 2025 at LACMA

50 Works 50 Weeks: Raymond Loewy’s Studebaker Avanti

Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA

50 Works 50 Weeks: Paolo Veronese’s “Allegory of Navigation with an Astrolabe” and “Allegory of Navigation with a Cross-Staff”

An Appreciation: Frank O. Gehry (1929–2025)