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Collections

Gertrude Käsebier
Blessed Art Thou among Women1899

On view:
Geffen Galleries, floor 1
Sepia-toned photograph of a young child in a dark belted dress standing in a doorway, with an adult figure in a white gown in profile behind
Artist or Maker
Gertrude Käsebier
United States, Iowa, Fort Des Moines, 1852-1934
Title
Blessed Art Thou among Women
Place Made
United States
Date Made
1899
Medium
Platinum print
Dimensions
Image: 9 1/2 × 6 5/16 in. (24.13 × 16.03 cm) Primary support: 9 1/2 × 6 5/16 in. (24.13 × 16.03 cm) Secondary support: 9 5/8 × 6 1/2 in. (24.45 × 16.51 cm) Secondary support (Tertiary): 19 3/8 × 14 9/16 in. (49.21 × 36.99 cm) Mat: 24 × 20 in. (60.96 × 50.8 cm)
Credit Line
The Marjorie and Leonard Vernon Collection, gift of The Annenberg Foundation and Carol Vernon and Robert Turbin
Accession Number
M.2008.40.1116
Classification
Photographs
Collecting Area
Photography
Curatorial Notes

Gertrude Käsebier’s Blessed Art Thou Among Women is a landmark work in the history of photography, celebrated for its emotional depth and masterful composition. The image depicts a mother and daughter standing in a domestic interior, probably in Boston, with the mother guiding her child through a doorway bathed in soft, diffused light. The scene is rich with symbolic resonance, conveying themes of maternal love, guidance, and the transition from innocence to maturity. Käsebier’s choice of title, drawn from a line in the Bible (Luke 1:42), imbues the image with a spiritual dimension, linking the nurturing role of women to a broader, almost sacred significance. Indeed, the print on the wall behind the figures (Agnes Lee and her daughter Peggy) is an Annunciation scene.

Technically, the photograph exemplifies Käsebier’s hallmark Pictorialist style. Her use of soft focus and carefully controlled light creates a painterly quality, while the tonalities of platinum printing capture subtle details of the subjects’ expressions and gestures. Blessed Art Thou among Women, widely exhibited, published, and admired at the time, reflects Käsebier’s commitment to elevating photography as a fine-art form and her profound exploration of women’s roles and relationships.

Britt Salvesen

2024

Selected Bibliography
  • Salvesen, Britt. See the Light: Photography, Perception, Cognition: the Marjorie and Leonard Vernon Collection. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/Prestel, 2013.
  • Muchnic, Suzanne. LACMA So Far: Portrait of a Museum in the Making. San Marino, California: Huntington Library, Art Collections, and Botanical Gardens, 2015.

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