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Collections

Kimsooja
A Needle Woman, Patan (Nepal), Havana (Cuba), Rio de Janeiro (Brazil), N'Djamena (Chad), Sana'a (Yemen), Jerusalem (Israel)2005

On view:
Geffen Galleries, Kimsooja: A Needle Woman
No image
Maker
Kimsooja
Korea, Taegu, born 1957
Title
A Needle Woman, Patan (Nepal), Havana (Cuba), Rio de Janeiro (Brazil), N'Djamena (Chad), Sana'a (Yemen), Jerusalem (Israel)
Date Made
2005
Medium
(Six) channel video installation, silent (00:10:40) loop
Credit Line
Purchased with funds provided by AMOREPACIFIC Corporation
Accession Number
M.2011.64.1-.4
Classification
Time Based Media
Collecting Area
Contemporary Art
Curatorial Notes

“Being overwhelmed by humanities from each of the cities standing still as a symbolic needle, I felt a strong connection with my body and mind full of compassion to the world. . . . By doing nothing but being a presence, while creating [a] void of my identity, I wish to reveal the human conditions in existential, geocultural and sociopolitical dimension in this ‘A Needle Woman’ performance video.”

A Needle Woman combines Kimsooja’s early sewing practice with the site-specific video and performance work she began to produce in the 1990s. In this series of slow, poetic videos, the artist acts as a needle, inserting herself into the hustle and bustle of life in six international cities. As if immobile, she stands in the middle of six busy walkways, allowing a river of passersby to flow around her. These disparate places, from Asia to Africa to the Americas, were united in one key way: at the time of filming, each city was fraught with conflict.

Susie Ferrell

2025