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Collections

Bird Ocarina900–1600 CE

On view:
Geffen Galleries, Ancestral Ceramics from Panama and Colombia
Small carved stone oil lamp in the form of a stylized bird with incised feather patterns and a small bird figure perched on top
Title
Bird Ocarina
Culture
Tairona
Place Made
Colombia, Sierra Nevada de Santa Marta (Tairona Period)
Date Made
900–1600 CE
Medium
Earthenware
Dimensions
2 1/4 × 2 1/4 in. (5.7 × 5.7 cm)
Credit Line
The Muñoz Kramer Collection, gift of Camilla Chandler Frost and Stephen and Claudia Muñoz-Kramer
Accession Number
M.2007.146.445
Classification
Ceramics
Collecting Area
Art of the Ancient Americas
Curatorial Notes

People of the Tairona culture made ocarinas in many shapes, including birds, frogs, humans, and nonfigurative forms (see M.2007.146.10, .447, .448, .462, .466, and .469), so it is unlikely that the shape determined what each ocarina was meant to mimic or communicate with. However, more than 600 species of birds live in the Sierra Nevada de Santa Marta. They and their songs are everywhere, surrounding and accompanying all human life and activity, and it is no wonder that birds have special significance, both in the past and for descendant cultures that live in the region.

As explained by Kaggaba guide Francisco Chimontero Nuibita Dingula (2022: 5859): “In our culture, birds in the beginning were people. The father of the birds, Ziukukui, wanted to leave messengers for people, so he decided to turn some people into birds. That is why all birds exist now, and serve to warn us of things that will happen. I learned this from my grandmother. She explained to me that when the birds sing, they are warning us of something, and that I had to identify each bird song and the different messages they give us. ‘You have to listen and understand; it is for a reason that this hummingbird came to see you,’ said my grandmother. In the future, I want to make people understand the importance of the earth and the respect and gratitude that we must have for her. Everything here has life; plants, animals, mountains, rivers, lagoons, stones, they also feel and speak, the same as we do. That is why I have been very interested in birdwatching as it is a way of teaching others to care for and conserve nature.”

This ethic of care is widespread among the Indigenous communities of the region, and, as Arhuaco elder Jaison Pérez Villafaña tells us, “Caring begins with observation. You have to see all that there is, in detail, to respect it. To get to know it as if it were part of your family.”

Selected Bibliography

Chimontero Nuibita Dingula, Francisco. “Birds of the Sierra Nevada de Santa Marta and Their Significance in Kaggaba Culture.” In The Portable Universe/El Universo en tus Manos: Thought and Splendor of Indigenous Colombia, ed. Julia Burtenshaw, Diana Magaloni, Maria Alicia Uribe, and Hector Garcia Botero. LACMA/DelMonico Prestel, 2022.

Unpacking the Universe: The Making of an Exhibition, Episode 5: “The Magic of Shells,” Los Angeles County Museum of Art, 2022, https://www.youtube.com/playlist?list=PLJy-HLfC3xxCue9_kM1GRNcnPEaNvi_aW.

Selected Bibliography
  • Burtenshaw, Julia, Héctor García Botero, Diana Magaloni, and María Alicia Uribe Villegas. The Portable Universe = El Universo en tus Manos: Thought and Splendor of Indigenous Colombia. Los Angeles: Los Angeles County Museum of Art, 2022.