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Collections

Boxcirca 1640

On view:
Geffen Galleries, Luxury Arts of the Ottoman Empire
Small rectangular box veneered in tortoiseshell and inlaid with mother-of-pearl concentric circle roundels resembling eyes, with ivory or bone geometric banding along all edges
Domed decorative box with tortoiseshell ground, densely inlaid with circular mother-of-pearl and dark shell discs resembling concentric rings, bordered by fine geometric inlay banding along the lid and base edges.
Title
Box
Place Made
Turkey
Date Made
circa 1640
Period
Ottoman (1281-1924)
Medium
Tortoiseshell, mother-of-pearl, wood, ivory and bone inlay
Dimensions
8 3/4 x 13 x 8 3/4 in. (22.23 x 33.02 x 22.23 cm)
Credit Line
Purchased with funds provided by the Art Museum Council in honor of the museum's 40th anniversary through the 2005 Collectors Committee
Accession Number
M.2005.125
Classification
Wood
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

This box, which was likely used to store a prized manuscript, is boldly decorated with tortoiseshell and mother-of-pearl. These technically difficult-to-work materials began to be employed by Ottoman woodworkers around the mid-sixteenth century, often to spectacular results, as here. The tortoiseshell was generally laid over metal foil to give it a lustrous quality, and the mother-of-pearl plaques were frequently inlaid with black mastic to further emphasize their luminosity. The main decoration is of a type associated with court art in which three circles (sometimes accompanied by a double wavy line; see M.2002.1.8) are arranged to form an endless repeat pattern. Similar designs, likewise rendered in tortoiseshell and mother-of-pearl, were used to decorate doors, window shutters, and cupboards in areas of the Topkapı Palace, Istanbul, such as the Revan Pavilion, built circa 1636. Alongside architectural fittings, portable objects such as this deluxe box, which reflects the high aesthetic standards of the imperial workshops, demonstrate why such items were coveted and collected beyond the Ottoman Empire, often serving as inspiration to European artists. The keyhole, for a lock, and the twin drill holes on each short side, for silver handles (now removed), demonstrate that the box had found its way to the West.

Selected Bibliography
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • "2005-2006 Selected Acquisitions." LACMA Insider 4, no.1 (2006): 4-7.

  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.
  • Komaroff, Linda. Collecting Islamic Art at the Los Angeles County Museum of Art: A Curatorial Perspective. Los Angeles: Art Catalogues; LACMA, 2017.

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