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Collections

Unidentified artists
Chalice (Cáliz)1575-1578

Not on view
Gilded metal chalice with a smooth cup, relief-carved collar, hexagonal rock crystal and amber-glass stem lantern, and a six-lobed base with embossed figural scenes
Gilt metal chalice with a wide gilded cup above a band of densely chased figural relief, rock crystal stem sections flanking a hexagonal reliquary node with glazed panels, and a lobed base with repoussé decoration and circular medallions.
Gilt metal shield or decorative roundel with a scalloped quatrefoil form, densely covered in embossed figural scenes in low relief. A central silver medallion bears an engraved profile portrait bust with a hole at center. Four oval inset plaques alternate around the border—two painted miniatures and two carved stone or shell cameos—set within the radiating ornamental surface.
Artist or Maker
Unidentified artists
Title
Chalice (Cáliz)
Place Made
Mexico City
Date Made
1575-1578
Period
Colonial
Medium
Silver gilt, rock crystal, wood, and feathers
Dimensions
Height: 13 in. (33 cm); diameter: 9 in. (22.9 cm)
Credit Line
William Randolph Hearst Collection
Accession Number
48.24.20
Classification
Furnishings
Collecting Area
Decorative Arts and Design
Curatorial Notes

Combining precious metals, feathers, boxwood carvings, and rock crystal, the “Hearst Chalice” stands out as one of the most complex works of sixteenth-century Mexican silversmithing. Used in ancient times and invested with sacred meaning, these materials were redeployed to create Christian objects, demonstrating an important level of agency for Native artists as they staked their place in the new body politic. Although mostly deteriorated, the feathers would have glistened with ambient light and motion, helping channel the spirit of the divine.


From exhibition Archive of the World, 2022 (for more information see the catalogue entry by Ilona Katzew and Rachel Kaplan in the accompanying publication, cat. no. 15, pp. 100–06)

Provenance
Lionel “Spanish” Harris, Chesterfield Gardens, London, c. 1912–1920s; William Randolph Hearst, c. 1920s; Los Angeles Museum of History, Science, and Art (LACMA’s parent institution), 1948.
Selected Bibliography
  • Katzew, Ilona, ed. Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. Exh. Cat. Los Angeles: Los Angeles County Museum of Art; New York: DelMonico Books/D.A.P., 2022.
  • Katzew, Ilona, and Rachel Kaplan. “‘Like the Flame of Fire’: A New Look at the ‘Hearst’ Chalice.” Latin American and Latinx Visual Culture 3, no. 1 (2021): 4–29.
Selected Exhibition History
  • Contested Visions in the Spanish Colonial World. November 6, 2011 - January 29, 2012
  • Contested Visions in the Spanish Colonial World. November 6, 2011 - January 29, 2012
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 12, 2022 - October 30, 2022
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. October 20, 2023 - January 28, 2024
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024
  • Archive of the World: Art and Imagination in Spanish America, 1500–1800. June 22, 2024 - September 08, 2024