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Collections

Tile Panelearly 17th century

On view:
Geffen Galleries
Horizontal ceramic tile panel with cobalt blue ground and white Arabic calligraphic inscription in cursive script, with turquoise floral accents and scalloped border
Horizontal frieze of glazed ceramic tiles with white Arabic calligraphy in thuluth script against a cobalt blue ground, with scrolling floral vine border along the top edge.

Unknown, Tile Panel, early 17th century, Los Angeles County Museum of Art, The Madina Collection of Islamic Art, gift of Camilla Chandler Frost, photo © Museum Associates/LACMA

Title
Tile Panel
Place Made
Syria
Date Made
early 17th century
Period
Ottoman (1281-1924)
Medium
Fritware, underglaze-painted
Dimensions
Overall: 10 x 67 in. (25.4 x 170.18 cm)
Credit Line
The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number
M.2002.1.58
Classification
Ceramics
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

In Muslim cultures, words are used not only to communicate but to decorate. Because it is through writing that the Qur’an is transmitted, scripts in the Arabic alphabet were devised and perfected to be worthy of divine revelation. On this account, calligraphy became the most important art form regardless of the text. This concern with beautiful writing extended beyond the page to objects of all sorts, including metalwork, coins, ceramics, stone, glass, wood, and textiles, as well as inscriptions on buildings, as here.

The primary decoration of this tile panel, which would have been made for a religious institution, is the elegant cursive inscription reserved in white against a blue ground. Although incomplete (the blue vertical bands represent areas of loss), the text is nonetheless readily recognizable. It is from the opening section of a particularly powerful chapter of the Qur’an (Sura Al-Fath: 4): “He it is who sent down tranquility upon the hearts of the believers that they might add faith to their faith—to Allah belong the hosts of the heavens and the earth, and Allah is All-Knowing, Wise.”

Selected Bibliography
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

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