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Collections

Dinar614 A.H.; 1217

On view:
Geffen Galleries
Gold Islamic coin with raised Arabic inscriptions arranged in stacked central lines and circular border bands, worn surface with irregular rim, against black background
Gold coin with multiple concentric bands of raised Arabic script covering the entire face, with a central field of several lines of text surrounded by circular marginal inscriptions.
Gold coin with raised Arabic script arranged in concentric circles; central field contains multiple lines of Arabic inscription within a circular border, with a continuous Arabic legend around the outer margin. Slightly worn surface with reddish patina visible at edges.
Gold dinar coin with raised Arabic script arranged in concentric bands around a central field of multiple inscription lines, against a gray background.

Unknown, Dinar, 614 A.H.; 1217, Los Angeles County Museum of Art, The Madina Collection of Islamic Art, gift of Camilla Chandler Frost, photo © Museum Associates/LACMA

Title
Dinar
Place Made
Iraq, Baghdad
Date Made
614 A.H.; 1217
Period
'Abbasid (730-1258)
Medium
Gold
Dimensions
Diameter (Diameter): 1 3/16 in. (3.0163 cm) Weight: 0.34 oz. (9.5 g)
Credit Line
The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number
M.2002.1.405
Classification
Tools and Equipment
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Apart from their monetary function, coins struck for Muslim caliphs and kings were symbols of the legitimacy, faith, power, and prestige that accrued to the dynasts in whose names they were minted. By the 690s, the sole markings on most Islamic consisted of writing, including the Muslim profession of faith, or shahada, the date and place of issue, and the name of the ruler. Their purely epigraphic content distinguished them from Byzantine and Sasanian coins (see M.2002.1.448), on which a human portrait appears as a symbol of the government’s authority, as with many coins familiar to us today.

The inscriptions on this dinar state that it was struck in AH 614 (1217 CE), in the name of the ‘Abbasid caliph al-Nasir at Madinat al-Salam (Baghdad), the capital. Gold coins such as this example were not for daily use but were instead reserved for large transactions such as paying taxes or tributes. The comparatively humbler copper fals was used in day-to-day commerce.

Selected Bibliography
  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.