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Collections

Cupboard Doorsecond half of 13th century

Not on view
Tall vertical wooden panel with geometric marquetry inlay, featuring interlocking polygonal shapes in dark reddish-brown wood with pale bone or ivory-toned inserts
Tall narrow wooden panel with geometric marquetry, featuring interlocking hexagonal and star-shaped forms in dark and light wood with ivory or bone inlay, set within a dark framed border.

Unknown, Cupboard Door, second half of 13th century, Los Angeles County Museum of Art, The Madina Collection of Islamic Art, gift of Camilla Chandler Frost, photo © Museum Associates/LACMA

Title
Cupboard Door
Place Made
Egypt
Date Made
second half of 13th century
Medium
Wood, carved ivory, and marquetry
Dimensions
36 x 10 3/4 x 1 1/2 in. (91.44 x 27.31 x 3.81 cm)
Credit Line
The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number
M.2002.1.31
Classification
Wood
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

The Mamluks, former Turkic-speaking military slaves who ruled Egypt and Syria from 1250 to 1517, were among the most formidable warriors of the late medieval period. A remarkable aspect of the dynasty they formed was their creation of a new, self-perpetuating military class of freed slave-soldiers that excluded the indigenous population. The Mamluks were prodigious patrons of the arts who took a special interest in building religious foundations, especially in the capital, Cairo, which they supplied with all manner of beautiful furnishings. Very little is preserved of their palatial architecture, although there is a wealth of surviving objects that must have been intended for such settings.

Ivory inlays were frequently combined with wood in the production of furniture and architectural fittings in Mamluk Egypt. This elaborate method of fabrication, which used costly ivory and rare woods like ebony, required that individual elements, often of minute size, be cut, carved with intricate motifs, and then carefully assembled like a mosaic to form a larger unit of generally geometric design. It is difficult to say exactly how the present door functioned, but most likely it was one of a pair, perhaps for a cupboard set into the wall, in either a religious or a domestic structure.

2025

Selected Bibliography
  • Komaroff, Linda. Islamic Art at the Los Angeles County Museum of Art. Los Angeles: Museum Associates, 2005.
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.

  • Komaroff, Linda. Beauty and Identity: Islamic Art from the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 2016.
  • Komaroff, Linda. Collecting Islamic Art at the Los Angeles County Museum of Art: A Curatorial Perspective. Los Angeles: Art Catalogues; LACMA, 2017.