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Collections

Base of CandlestandLate 13th century

Not on view
Cast bronze stand with hexagonal body on four splayed feet, densely engraved with foliate arabesques and rosette medallions, with oxidized olive-green and gray patina
Cast bronze candlestick base with hexagonal form raised on three legs ending in animal-paw feet, densely covered in incised arabesque scrollwork and rosette medallions, with dark patina.
Bronze inkstone stand with three curved legs ending in scrolled feet, heavily patinated in blue-green. The trapezoidal body features dense silver inlay of scrolling vines, leaves, and a central rosette medallion.

Unknown, Base of Candlestand, Late 13th century, Los Angeles County Museum of Art, The Madina Collection of Islamic Art, gift of Camilla Chandler Frost, photo © Museum Associates/LACMA

Title
Base of Candlestand
Place Made
Syria or Egypt
Date Made
Late 13th century
Medium
Brass, inlaid with silver and gold
Dimensions
2 3/8 x 5 1/4 in. (6.03 x 13.33 cm)
Credit Line
The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number
M.2002.1.575
Classification
Metal
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

The Mamluks, former Turkic-speaking military slaves who ruled Egypt and Syria from 1250 to 1517, were among the most formidable warriors of the late medieval period. A remarkable aspect of the dynasty they formed was their creation of a new, self-perpetuating military class of freed slave-soldiers that excluded the indigenous population. The Mamluks were prodigious patrons of the arts who took a special interest in building religious foundations, especially in the capital, Cairo, which they supplied with all manner of beautiful furnishings. Very little is preserved of their palatial architecture, although there is a wealth of surviving objects that must have been intended for such settings, as here.

This charming brass candlestand, which lacks the columnar middle section and small tray with a shallow pin with which to affix the candle, was transformed into a luxury item by the extensive silver and gold inlay that covers it. Indeed, inlaid metalwork is one of the glories of Mamluk art. Here, the three pawlike feet that support the stand and the flying plump ducks on each of its three sides give it a playful quality suitable for an intimate setting, as suggested by its diminutive scale. A similar and more complete example in the Musée du Louvre, Paris, includes an inscription about its owner, revealing that such stands were commissioned by members of the Mamluk ruling elite.

2025

Selected Bibliography
  • Atil, Esin. Renaissance of Islam: Art of the Mamluks. Washington, D.C.: Smithsonian Institution Press, 1981.
  • Lo Terrenal y lo Divino: Arte Islámico siglos VII al XIX Colección del Museo de Arte del Condado de Los Ángeles. Santiago: Centro Cultural La Moneda, 2015.