LACMA

ShopMembershipMyLACMATickets
LACMA
Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
info@lacma.org
(323) 857-6000
Sign up to receive emails
Subscribe
© Museum Associates 2026
  • About LACMA
  • Jobs
  • Building LACMA
  • Host An Event
  • Unframed
  • Press
  • FAQs
  • Log in to MyLACMA
  • Privacy Policy
© Museum Associates 2026
Collections

Double page from a Manuscript of the Qur'an (2:113; 2:113 and 2:116-117; 2:117-118)9th century

On view:
Geffen Galleries
Two-page Kufic manuscript bifolio in dark brown ink on cream parchment, with red and green diacritical dots and a gold circular medallion on the left page
Manuscript bifolio on cream vellum with Arabic Kufic script in dark brown ink, arranged in four lines per page, with small red, blue, and gold diacritical markings scattered throughout.
Manuscript bifolio with Arabic Kufic script in dark brown ink on cream parchment, arranged in four lines per page, with small red, blue, and gold diacritical dots scattered throughout.

Unknown, Double page from a Manuscript of the Qur'an (2:113; 2:113 and 2:116-117; 2:117-118), 9th century, Los Angeles County Museum of Art, The Madina Collection of Islamic Art, gift of Camilla Chandler Frost, photo © Museum Associates/LACMA

Title
Double page from a Manuscript of the Qur'an (2:113; 2:113 and 2:116-117; 2:117-118)
Place Made
Iraq
Date Made
9th century
Period
'Abbasid (750-1258)
Medium
Ink, colors, and gold on parchment
Dimensions
8 3/4 x 24 1/2 in. (22.225 x 62.23 cm) Frame: 29 × 23 × 1 1/2 in. (73.66 × 58.42 × 3.81 cm)
Credit Line
The Madina Collection of Islamic Art, gift of Camilla Chandler Frost
Accession Number
M.2002.1.349
Classification
Manuscripts
Collecting Area
Art of the Middle East: Islamic
Curatorial Notes

Because it is through writing that the Qur’an is transmitted, scripts in the Arabic alphabet were devised and perfected to be worthy of divine revelation. While the earliest surviving Qur’an manuscripts, from the second half of the seventh century, were written in a simple form of Arabic script that lacks symbols for short vowels and certain consonants, scribes of the eighth and ninth centuries gradually introduced a system to mark these letter sounds, which would change in subsequent centuries.

In this ninth-century double page, rendered in the rectilinear kufic script, colored dots indicate different short vowels, while tiny strokes distinguish between consonants of the same basic shape, helping to ensure an accurate recitation of the scripture. Gold medallions were also added to the calligraphy to indicate the ends of a verse or verse clusters, perhaps allowing readers to locate specific passages or keep track of which parts of the text they had covered.

Related Unframed

Meet Linda Komaroff, Curator of Islamic Art
Meet Linda Komaroff, Curator of Islamic Art
  • April 18, 2017
  • Chi-Young Kim