Ken Ohara

One1970

Catherine Opie Takes Our Photo

“I make art to remember”: Cayetano Ferrer on “Object Prosthetics”

Step into the World of Impressionism at a Ballet-Inspired Figure Drawing Workshop

Everything You Need to Know About LACMA’s New David Geffen Galleries

The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA

50 Works 50 Weeks: Stephanie Shih’s “梅國 (Still life with chamoy and Dirty T Tamarindo)”

This Week at LACMA: The David Geffen Galleries Are Open

Painting LACMA’s David Geffen Galleries with Light, Shadow, and Color

50 Works 50 Weeks: Millard Sheets’s “Angel’s Flight”

This Week at LACMA: David Geffen Galleries Member Previews and NexGenLA Celebration

Join a Day of Free Family Fun at LACMA’s David Geffen Galleries

50 Works 50 Weeks: Lauren Halsey Commissions

This Week at LACMA: David Geffen Galleries Member Previews

New Acquisition: Alejandro Otero’s “Tablón 32”

Building Project: April 17 Update

Andell Family Sundays: Slow Walking and Observing

50 Works 50 Weeks: Henri Matisse’s “La Gerbe”

Building Project: April 10 Update

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

50 Works 50 Weeks: The Ardabil Carpet

In Memoriam: Melvin Edwards (1937–2026)

Building Project: April 3 Update

50 Works 50 Weeks: Diego Rivera’s “Flower Day (Día de flores)”

“Most movies don’t take 10,000 years to make”: Jonathon Keats on “Deep Time Cinematography”