Martyl (Martyl Schweig Langsdorf)

Detail1918 - 1999

“This is just an illusion”: Christina Quarles on “Now We’re There (And We’ Only Just Begun)”

New Acquisition: Alejandro Otero’s “Tablón 32”

50 Works 50 Weeks: Francis Bacon’s “Three Studies of Lucian Freud”

50 Works 50 Weeks: Sarah Rosalena’s “Threading the Infinite: Omnidirectional Terrain”

This Week at LACMA

Galloping into the Year of the Horse

50 Works 50 Weeks: Giorgio Ghisi’s “Cupid and Psyche”

50 Works 50 Weeks: Our Lady of Guadalupe

50 Works 50 Weeks: Lavinia Fontana’s “The Holy Family with Saint Catherine of Alexandria”

50 Works 50 Weeks: Mariana Castillo Deball’s “Feathered Changes”

Diffuse Control by Beeple Iteration: Matrix Residua

50 Works 50 Weeks: Paolo Veronese’s “Allegory of Navigation with an Astrolabe” and “Allegory of Navigation with a Cross-Staff”

50 Works 50 Weeks: “Horse and Groom”

50 Works 50 Weeks: Prestige Garment Textile (Adanudo)

50 Works 50 Weeks: John Deare’s “Judgment of Jupiter”

Frances Stark’s Way of Seeing

50 Works 50 Weeks: Bartolomé Estebán Murillo’s “The Mystic Marriage of Saint Catherine”

50 Works 50 Weeks: George Bellows’s “Cliff Dwellers”

This Week at LACMA

50 Works 50 Weeks: Clara Peeters’s “Still Life with Cheeses, Artichoke, and Cherries”

This Week at LACMA

50 Works 50 Weeks: Fra’ Bartolomeo’s “Holy Family”

50 Works 50 Weeks: Jean-Auguste-Dominique Ingres’s “Odalisque”

50 Works 50 Weeks: Bernardo Strozzi’s “Saint Catherine of Alexandria”